Recorded as outtakes from Coleman's breakthrough years, this 1970 collection shows what the sessions left behind.
The Art of the Improvisers arrived in 1970 as a compilation rather than a statement. Atlantic Records assembled it from outtakes of sessions Ornette Coleman recorded between 1959 and 1961 for The Shape of Jazz to Come, Change of the Century, This Is Our Music, Ornette!, and Ornette on Tenor, and Coleman had no hand in choosing the material. Critics did not greet it as a major event. It sat in the shadow of the records it was cut from, and it never became a commercial release in the way those albums did.
Reception has been kinder over time. The Penguin Guide to Jazz Recordings gave it 3 stars out of 4, and The Rolling Stone Album Guide gave it 4 out of 5. AllMusic's Thom Jurek called it basically one of Coleman's most uptempo records for Atlantic, but also one of his most soulful, and argued it deserves serious re-evaluation. That last point is the one worth taking seriously, because the album's reputation has been slow to catch up with its sound.
What you hear is the Coleman quartet in its early, combative form. Charlie Haden and Scott LaFaro anchor the bass lines, Don Cherry plays trumpet with the same loose, sidelong logic he brought to the main sessions, and the rhythm section of Billy Higgins and Ed Blackwell keeps things moving at a clip. Coleman's alto is the centre of gravity throughout. If you want a sense of the band at its most urgent, this is a good place to hear it, though starting with The Shape of Jazz to Come (1959) will give you the context these takes were drawn from.