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1950 · Album

Sarah Vaughan

↑ Sarah Vaughan

Mercury Records · Produced by Jack Rael
Sarah Vaughan

The Divine Voice in Its Prime

Sarah Vaughan's instrument has never sounded more assured, more in command of every color it could produce.

This self-titled album finds Sarah Vaughan operating at the height of her powers, which is saying something given how consistently excellent she'd been throughout her career. What you're hearing isn't a debut or a statement of purpose—it's an artist who knows exactly who she is and what her voice can do, deploying that knowledge with almost casual brilliance across these tracks. The record has a warm, unhurried quality that lets you sit with Vaughan's phrasing rather than getting swept up in flashy arrangements.

What makes this particular collection worth your time is how it showcases the full range of what Vaughan brought to a song. On the ballads, she bends notes with precision that never tips into showing off. Her vibrato is controlled, her sense of when to sit behind the beat and when to land right on it feels instinctive. Even on the uptempo numbers, there's no rushing, no sense that she's trying to prove anything. The trio and small group settings give her room to breathe, and the accompaniment is there to support rather than compete. This isn't a record where the orchestra is doing the heavy lifting while the singer floats on top—Vaughan is the whole show, and everyone else knows it.

If you already know Vaughan's work, this album sits comfortably among her finest recordings. If you're coming to her for the first time, you could start here, though you might also explore earlier work to hear how she developed into this consummate artist. Either way, this is a document of someone who understood the voice as an instrument capable of infinite nuance, and who spent every moment on this record proving that understanding.

Who's playing
Joe Benjamindouble bass
Jimmy Jonespiano
Paul Quinichettetenor saxophone
Clifford Browntrumpet
Herbie Mannflute
Roy Haynesdrums
Listen next
By Sarah Vaughan
Sarah Vaughan With Clifford Brown 1955
Clifford Brown's own record
Clifford Brown And Max Roach 1955
Clifford Brown plays trumpet here
More Bebop
Mingus Three 1957
Hampton Hawes
Recording Info
Track listing
1Lullaby of Birdland3:55
2April in Paris6:30
3He’s My Guy4:10
4Jim5:50
5You’re Not the Kind4:43
6Embracable You4:48
7I’m Glad There Is You5:06
8September Song5:40
9It’s Crazy4:55
Musicians
Further Reading
Read more

Where next?

More by Sarah Vaughan
Sarah Vaughan With Clifford Brown 1955
After Hours 1961
Vaughan And Violins 1958
Swingin' Easy 1957
All 12 albums →
The musicians on this record
Clifford Brown And Max Roach 1955
Clifford Brown
plays trumpet here
Question and Answer 1990
Roy Haynes
plays drums (drum set) here
Herbie Mann at the Village Gate 1962
Herbie Mann
plays flute here
Their own records, close in time
More Bebop
Mingus Three 1957
Hampton Hawes
Genius of Modern Music, Volume 2 1951
Thelonious Monk
Deeds, Not Words 1958
Max Roach
Jeru 1952
Gerry Mulligan
All 90 Bebop artists →

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