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1958 · Album

Vaughan And Violins

↑ Sarah Vaughan

Recorded 1959 · Mercury Records · Produced by Quincy Jones
Vaughan And Violins

Strings and Sophistication: Sarah's Elegant Turn

Sarah Vaughan proves she doesn't need a big band to sound absolutely commanding.

Here's what makes Vaughan and Violins (1959) different from Sarah's usual fare: it strips things way down. Instead of working with a full orchestra, she's got strings arranged around her, which means there's nowhere to hide. You hear every breath, every slight variation in how she shapes a phrase. On tracks like "Misty," the string section creates this cushion of sound, but Sarah floats above it all like she owns the whole thing, which of course she does. Her voice was built for this—rich enough, controlled enough, that intimate arrangements only make her sound more powerful.

This wasn't some experimental departure for her. Sarah had been working with strings throughout her career, but this album finds her at a point where she could really dial in what she wanted. The pacing is deliberate. Nothing feels rushed. You get the sense she's thinking about every note, considering how it lands. The repertoire skews toward standards and ballads—not party music, not bebop vehicles, just beautiful songs given serious attention. There's a maturity here that comes from someone who's already proven everything and is now interested in the sound itself.

Is this her best work? That's debatable, and honestly, it depends what you want from Sarah. If you've already got her classic small-group recordings and want to hear a different side, this is worth tracking down. It's not flashy, and it's not the place to start if you're new to her. But if you know her work and want to hear what happens when a great singer meets a really tasteful string arrangement, Vaughan and Violins delivers exactly that. It's sophisticated without being stuffy, and there's real feeling underneath all that elegance.

Who's playing
Maurice Vanderpiano
Ronnell Brightpiano
Pierre Cullazguitar
William Boucayabaritone saxophone
Jo Hraskobaritone saxophone
Marcel Hraskoalto saxophone
Zoot Simstenor saxophone
Kansas Fieldsdrums
Kenny Clarkedrums
Michel Hausservibraphone
Listen next
By Sarah Vaughan
Sarah Vaughan With Clifford Brown 1955
Zoot Sims's own record
Down Home 1960
Zoot Sims plays tenor saxophone here
More Bebop
Mozart / Corea 1962
Chick Corea
Recording Info
Track listing
1Gone With the Wind3:25
2Day by Day3:06
3Please Be Kind3:12
4Live for Love3:20
5I’ll Close My Eyes3:36
6Misty2:59
7The Midnight Sun Will Never Set2:47
8That’s All3:28
9I’m Lost3:37
10Love Me3:10
11The Thrill Is Gone2:27
Musicians
Further Reading
Read more

Where next?

More by Sarah Vaughan
Sarah Vaughan With Clifford Brown 1955
After Hours 1961
Swingin' Easy 1957
In Hi-Fi 1959
All 12 albums →
The musicians on this record
Down Home 1960
Zoot Sims
plays tenor saxophone here
Their own records, close in time
More Bebop
Mozart / Corea 1962
Chick Corea
20/20 1963
George Benson
Doin' Allright 1961
Dexter Gordon
Mingus Three 1957
Hampton Hawes
All 90 Bebop artists →

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