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1956 · Album

Ella and Louis

↑ Ella Fitzgerald

Recorded 1956 · Verve Records · Produced by Norman Granz
Ella and Louis

Two Voices, One Perfect Conversation

Fitzgerald and Armstrong together sound less like a recording and more like an evening you wish you'd been at.

When Ella Fitzgerald and Louis Armstrong made this record in 1956, they already had history together — collaborations going back to the late 1940s on Decca. So by the time they walked into the studio for Verve, there was no awkwardness to work through. You can hear that immediately. The whole album has the relaxed, unhurried quality of two people who genuinely enjoy each other's company, and that is not nothing. Backed by the Oscar Peterson Quartet, they move through a set of American standards with a lightness that never tips into laziness.

What actually makes this album work is the contrast between the two voices. Fitzgerald is precise and warm, her pitch immaculate. Armstrong is rougher, raspier, and somehow that roughness makes her sound even more polished by comparison — and vice versa. On tracks like "Isn't This a Lovely Day" and "The Nearness of You," the back-and-forth between them feels genuinely playful rather than staged. Peterson's quartet does exactly what you want a rhythm section to do here: it stays out of the way and keeps things swinging without ever calling attention to itself. That's harder than it sounds.

This was the first of three albums Fitzgerald and Armstrong would make together for Verve, followed by Ella and Louis Again (1957) and Porgy and Bess (1959). Of the three, this debut is the loosest and probably the most fun. It is not a challenging listen — nobody is pushing boundaries or reinventing anything. What it is, is a very good record of two exceptional singers doing what they do best, clearly enjoying themselves. If you want a single album that captures what made both of these artists lovable rather than just technically impressive, this is a strong candidate.

Who's playing
Ray Browndouble bass
Oscar Petersonpiano
Herb Ellisguitar
Louis Armstrongtrumpet
Buddy Richdrums
Listen next
By Ella Fitzgerald
Wishes You a Swinging Christmas 1960
Buddy Rich's own record
Big Swing Face 1967
Buddy Rich plays drums (drum set) here
More Swing
After Midnight 1956
Nat King Cole
Recording Info
Track listing
1Can’t We Be Friends
2Isn’t This a Lovely Day
3Moonlight in Vermont
4They Can’t Take That Away From Me
5Under a Blanket of Blue
6Tenderly
7A Foggy Day
8Stars Fell on Alabama
9Cheek to Cheek
10The Nearness of You
11April in Paris
Musicians
Further Reading
Read more

Where next?

More by Ella Fitzgerald
Wishes You a Swinging Christmas 1960
Ella Fitzgerald Sings the Rodgers and Hart Song Book 1956
Ella And Louis Again 1957
Ella Fitzgerald Sings the Duke Ellington Song Book 1957
All 24 albums →
The musicians on this record
Big Swing Face 1967
Buddy Rich
plays drums (drum set) here
Ben Webster Meets Oscar Peterson 1959
Oscar Peterson
plays piano here
Satch Plays Fats: A Tribute to the Immortal Fats Waller 1955
Louis Armstrong
plays trumpet here
Bass Hit! 1957
Ray Brown
plays double bass here
Their own records, close in time
More Swing
After Midnight 1956
Nat King Cole
Songs for Swingin’ Lovers! 1956
Frank Sinatra
Jazz Alive! A Night at the Half Note 1959
Al Cohn
Coleman Hawkins encounters Ben Webster 1959
Ben Webster
All 94 Swing artists →

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