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1959 · Album

Ben Webster Meets Oscar Peterson

↑ Oscar Peterson

Recorded 1959 · Verve Records · Produced by Norman Granz
Ben Webster Meets Oscar Peterson

Two Tenors, One Piano, Pure Conversation

Webster and Peterson circle each other like old friends who've found new things to say.

This is Oscar Peterson doing what he did best—getting out of the way and letting the music breathe. Ben Webster was a tenor saxophonist who played with a warm, breathy tone that sounded almost like a voice, and Peterson matched that intimacy on piano instead of overwhelming it. There's no drum section here, no bass player driving things forward. It's just the two of them working through standards and a couple originals, trading phrases and completing each other's thoughts. The album lives in that sweet spot where jazz feels like conversation instead of performance. Peterson plays with restraint, which matters because this is a man who could dominate any room, and choosing not to is its own kind of statement. On ballads like the ones here, Webster gets to do what made him special—bend a note, hold it, make it say something emotional without any flash needed. This isn't a peak-moment recording for either artist, and it doesn't need to be. It's a late-career collaboration between two professionals who understood each other. The recording quality is warm and close, the kind of sound that makes you feel like you're sitting near the studio door. If you're already familiar with Peterson's trio work or Webster's earlier recordings, this offers something different—a stripped-down view of two masters who had nothing left to prove. For a newcomer to either artist, you're probably better starting elsewhere. But if you've spent time with their other work and wonder what happens when you remove everything except the playing itself, this album answers that question directly and with grace.

Who's playing
Ray Brownbass
Oscar Petersonpiano
Ben Webstertenor saxophone
Ed Thigpendrums
Listen next
By Oscar Peterson
Night Train 1963
Ben Webster's own record
Coleman Hawkins encounters Ben Webster 1959
Ben Webster plays tenor saxophone here
More Swing
After Midnight 1956
Nat King Cole
Recording Info
Track listing
1The Touch of Your Lips6:19
2When Your Lover Has Gone3:59
3Bye-Bye, Blackbird6:44
4How Deep Is the Ocean?2:35
5In the Wee, Small Hours of the Morning3:12
6Sunday3:57
7This Can’t Be Love9:50
Musicians
Further Reading
Read more

Where next?

More by Oscar Peterson
Night Train 1963
We Get Requests 1964
Oscar Peterson Plays The Cole Porter Songbook 1959
Soul Español 1966
All 13 albums →
The musicians on this record
Coleman Hawkins encounters Ben Webster 1959
Ben Webster
plays tenor saxophone here
Cannonball Adderley and the Poll-Winners 1960
Ray Brown
plays bass here
Their own records, close in time
More Swing
After Midnight 1956
Nat King Cole
Big Swing Face 1967
Buddy Rich
Wishes You a Swinging Christmas 1960
Ella Fitzgerald
Songs for Swingin’ Lovers! 1956
Frank Sinatra
All 94 Swing artists →

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