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1985 · Album

You’re Under Arrest

↑ Miles Davis

Recorded 1985 · Columbia Records · Produced by Miles Davis, Marcus Miller
You’re Under Arrest

Miles Turns to the Radio, 1985

After thirteen years away from electric guitar, Miles brought John McLaughlin back and aimed squarely at the pop charts.

By 1985, Miles Davis had spent over three decades reinventing himself, and You're Under Arrest finds him doing it again—this time chasing the radio. Thirteen years had passed since John McLaughlin played electric guitar on one of his records, and bringing McLaughlin back signals a deliberate shift toward accessibility. This is not a late-career retreat or nostalgia play. Davis was fifty-nine and still hungry to reach listeners who knew him from MTV and FM radio, not jazz clubs. The album mixes covers of pop songs with originals that address racism, pollution, war, and politics—urgent material wrapped in contemporary production that sounds nothing like the modal investigations of Kind of Blue or the fusion experiments of Bitches Brew.

The choice to cover pop material rather than standards or blues changes everything about how the album feels. Davis is not interpreting American songbook classics through a jazz lens; he is taking Prince, Cyndi Lauper, and Michael Jackson into his own space. The electric guitar presence, paired with synths and drum machines, creates something sleeker and more aligned with mid-eighties production values than his acoustic work. This gamble won't appeal to everyone. Jazz purists found it too commercial. But The Penguin Guide to Jazz Recordings gave it 3.5 out of 4 stars, recognizing something genuine in the attempt.

You're Under Arrest is not the album to hear if you want to understand why Miles mattered in the first place—start with Kind of Blue (1959) or Sketches of Spain (1960) instead. This one is for people curious about what a restless artist does when he refuses to become a monument to his own past. It is a record about staying relevant, about listening to what is happening outside the jazz world and refusing to let that world shrink around you.

Who's playing
Darryl Jonesbass
John Scofieldguitar
John McLaughlinguitar
Bob Bergsopranino saxophone
Miles Davistrumpet
Robert Irving IIIsynthesizer
Al Fosterdrums
Vince Wilburn, Jr.drums
Steve Thorntonpercussion
Listen next
By Miles Davis
Kind of Blue 1959
John Scofield's own record
Solar 1984
John Scofield plays guitar here
More Modal Jazz
You Must Believe in Spring 1981
Bill Evans
Recording Info
Track listing
1One Phone Call/Street Scenes4:36
2Human Nature4:31
3Intro: MD 1/Something's on Your Mind/MD 27:18
4Ms. Morrisine4:57
5Katia Prelude0:42
6Katia7:39
7Time After Time3:39
8You’re Under Arrest6:13
9Medley: Jean Pierre/You're Under Arrest/Then There Were None3:26
Musicians
Further Reading
Read more

Where next?

More by Miles Davis
Kind of Blue 1959
Bitches Brew 1970
Sketches of Spain
Birth of the Cool 1950
All 59 albums →
The musicians on this record
Solar 1984
John Scofield
plays guitar here
My Goal’s Beyond 1971
John McLaughlin
plays guitar here
Their own records, close in time
More Modal Jazz
You Must Believe in Spring 1981
Bill Evans
Clubhouse 1979
Dexter Gordon
Etcetera 1980
Wayne Shorter
Double Take 1985
Woody Shaw
All 41 Modal Jazz artists →

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