Abercrombie and Scofield circle each other like musicians who know exactly what the other is thinking.
Solar exists in that sweet spot where two strong players meet with no agenda except to play well together. These early-'80s sessions paired John Abercrombie and John Scofield mostly as a duo, with George Mraz on bass and Peter Donald on drums appearing selectively. The setup itself shaped everything—no need to prove anything, no pressure to lead, just two guitarists listening and responding.
The album digs into familiar territory: the title track unfolds as an intricate duet, Four on Six gets a Latin push with Abercrombie doubling on electric mandolin, and If You Could See Me Now stays dreamy and conversational. I Should Care settles into a relaxed exchange, exactly the kind of moment that happens when musicians stop performing and start playing for themselves. Scofield's Small Wonder brings the full quartet in for some bristling post-bop energy, while Abercrombie's Sing Song contrasts both players' approaches in miniature.
AllMusic's Ken Dryden heard it this way: intricate work on the standards, strong playing all around, nothing wasted. It's a solid session record, the kind that appeals to guitarists and jazz listeners who prefer listening to conversation over spectacle. Not a landmark album, but a genuine one—players respecting each other's time and space on the bandstand.