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1963 · Album

Sonny Meets Hawk!

↑ Coleman Hawkins

Recorded July 15 and 18, 1963 · RCA Victor Studio B, New York City · RCA Victor
Sonny Meets Hawk!

Two Tenors, One Moment of Risk

Rollins strips away safety and leans hard into the experimental—a sharp left turn at a pivotal moment.

By 1963, Sonny Rollins had already established himself as one of jazz's most inventive tenor players. He'd made his mark with hard-swinging records and lengthy, exploratory improvisations. But this session with Coleman Hawkins, recorded in July at RCA Victor Studio B, finds Rollins deliberately stepping away from what he did best. Instead of the muscular, bluesy tenor playing that defined his earlier work, he ventures into avant-garde territory—fractured phrases, angular melody, textures that sound almost unfinished. It's a sharp turn, and it matters because it shows Rollins thinking differently about what the saxophone could say.

Hawkins brings a different kind of authority to these sessions. By 1963, he was already a legend—the man who invented the tenor saxophone as a solo instrument. Bringing him into the room with Rollins created a natural tension: the old guard meeting a younger musician willing to break things on purpose. The album captures that collision without resolving it. Some tracks swing hard, others feel deliberately fractured. This isn't Rollins playing it safe or Hawkins playing it young. It's two strong voices occupying the same space without compromise.

For Rollins fans, this sits apart from his core catalog. It's not the entry point—that would be something like Saxophone Colossus (1956). This is a record for listeners who've already heard him swing and want to see what he sounded like when he decided to experiment. It didn't reshape his career or influence what came next, but it's a useful artifact: proof that Rollins was curious enough to take a real risk in the studio.

Who's playing
Bob Cranshawdouble bass
Henry Grimesdouble bass
Paul Bleypiano
Coleman Hawkinstenor saxophone
Sonny Rollinstenor saxophone
Roy McCurdydrums
Listen next
By Coleman Hawkins
Duke Ellington Meets Coleman Hawkins 1963
Sonny Rollins's own record
The Bridge 1962
Sonny Rollins plays tenor saxophone here
More Swing
After Midnight 1956
Nat King Cole
Recording Info
Track listing
1Yesterdays5:14
2All the Things You Are9:35
3Summertime5:59
4Just Friends4:41
5Lover Man8:55
6At McKie’s7:01
Musicians
Further Reading
Read more

Where next?

More by Coleman Hawkins
Duke Ellington Meets Coleman Hawkins 1963
♫
The Hawk Flies High 1957
Coleman Hawkins and Confrères
The Hawk Relaxes 1961
All 43 albums →
The musicians on this record
The Bridge 1962
Sonny Rollins
plays tenor saxophone here
Fragments 1961
Paul Bley
plays piano here
Their own records, close in time
More Swing
After Midnight 1956
Nat King Cole
Big Swing Face 1967
Buddy Rich
Wishes You a Swinging Christmas 1960
Ella Fitzgerald
Songs for Swingin’ Lovers! 1956
Frank Sinatra
All 94 Swing artists →

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