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1961 · Album

The Hawk Relaxes

↑ Coleman Hawkins

Recorded 1961 · Moodsville · Produced by Unable to verify with certainty
The Hawk Relaxes

Coleman Hawkins Takes It Easy

Hawkins playing unhurried, conversational saxophone—this is relaxation earned through decades of mastery.

By 1961, Coleman Hawkins had been one of jazz's most commanding voices for nearly four decades. The Hawk Relaxes comes from that later phase of his career when he could afford to step back from proving anything. This isn't a landmark session—it's Hawkins doing what he'd perfected long ago: playing tenor saxophone with authority and warmth, but at his own pace. The album lives up to its title. There's no urgency here, no need to showcase technique or compete with younger players. Hawkins sounds settled into his own sound, which by this point was unmistakable—big-toned, bluesy, with that slightly gruff edge that made him instantly recognizable.

The album pairs Hawkins with rhythm section support, letting him float over the changes on standards and blues. He doesn't reinvent anything on these tracks. Instead, he inhabits the material with the confidence of someone who has played these songs a hundred times and still finds something worth exploring. There's a directness to the playing—no ornament for its own sake, just a musician in conversation with the tune. The recording quality is clean and close, which means you hear everything: the warmth in his tone, the slight rasp that comes with age, the way he shapes a phrase.

In Hawkins' catalog, this sits in the solid middle ground—not essential like his 1940s masterpieces, but not marginal either. If you're already familiar with Hawkins and want to hear him in a relaxed, intimate setting, this delivers exactly that. If you're new to him, start with earlier recordings where his impact feels more revolutionary. But for anyone who likes tenor saxophone played with honesty and no pretense, this is worth your time. It's a reminder that jazz doesn't always need to be urgent or flashy to be worth listening to.

Who's playing
Ron Carterdouble bass
Ronnell Brightpiano
Kenny Burrellguitar
Coleman Hawkinstenor saxophone
Andrew Cyrilledrums
Listen next
By Coleman Hawkins
Duke Ellington Meets Coleman Hawkins 1963
Kenny Burrell's own record
Midnight Blue 1963
Kenny Burrell plays guitar here
More Swing
After Midnight 1956
Nat King Cole
Recording Info
Track listing
1I'll Never Be the Same6:14
2When Day Is Done4:30
3Under a Blanket of Blue4:41
4More Than You Know4:14
5Moonglow6:03
6Just a Gigolo5:09
7Speak Low6:40
Musicians
Further Reading
Read more

Where next?

More by Coleman Hawkins
Duke Ellington Meets Coleman Hawkins 1963
♫
The Hawk Flies High 1957
Coleman Hawkins and Confrères
Desafinado 1962
All 43 albums →
The musicians on this record
Midnight Blue 1963
Kenny Burrell
plays guitar here
Where? 1961
Ron Carter
plays double bass here
Special People 1981
Andrew Cyrille
plays drums (drum set) here
Their own records, close in time
More Swing
After Midnight 1956
Nat King Cole
Big Swing Face 1967
Buddy Rich
Wishes You a Swinging Christmas 1960
Ella Fitzgerald
Songs for Swingin’ Lovers! 1956
Frank Sinatra
All 96 Swing artists →

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