Where do you listen?
Choose your streaming service
inside the sleeve
Loading…
inside the sleeveITS
⌕
Read About

♫

Facts
Connections
Read more

Discography

Collaborations

Live on Youtube

Explore Further

Selected connections
1978 · Album

Everyday Everynight

↑ Flora Purim

Recorded 1978 · Warner Bros.
Everyday Everynight

Everyday Everynight: Flora's Fusion Snapshot

A confident step into fusion territory, built on session-room chemistry and Purim's gift for transforming any groove.

Everyday Everynight arrived as Flora Purim was settling into her stride as a fusion bandleader rather than a supporting voice. The session brought together an unusually deep bench of session players — Michael Brecker and David Sanborn on saxophones, Lee Ritenour and Oscar Castro-Neves on guitars, George Duke on electric piano, and a rhythm section anchored by Jaco Pastorius on bass and Harvey Mason on drums. That lineup alone signals ambition: these were working players at the top of their game in 1978, the kind who could nail a part in one or two takes and move on.

Purim's voice remains the thread throughout — she scats, solos, and anchors the melodies with that distinctive blend of precision and airiness that made her invaluable to Return to Forever. The album sits comfortably in the fusion pocket of the late seventies: electric, groove-centered, technically assured without sounding cold. Duke and Ritenour carry much of the harmonic weight, while Pastorius's bass work has that walking-then-darting quality that defined his studio session style. These aren't experimental tracks; they're well-constructed fusion vehicles, the kind that found steady play on FM radio and in smooth-jazz sets.

It's neither a peak moment nor a departure — more a solid professional statement from a singer who had earned the platform to lead a band of this caliber. The material doesn't linger long after the needle lifts, but in the room and on tape, everything locks. For listeners curious about Purim beyond her Return to Forever work, this shows her leading rather than supporting, comfortable enough in fusion grammar to let her voice do what it does best.

Who's playing
Alphonso Johnsonbass
Byron Millerbass
Jaco Pastoriusbass
Michel Colombierelectric piano
George Dukeelectric piano
David Walter Fosterpiano
Lee Ritenourguitar
Oscar Castro‐Nevesacoustic guitar
Jay Graydonguitar
Michael Breckersaxophone
Randy Breckersaxophone
David Sanbornsaxophone
Raul de Souzatrombone
Michael Boddickersynthesizer
Harvey Masondrums
Chester Thompsondrums
Airto Moreirapercussion
Laudir de Oliveirapercussion
Listen next
By Flora Purim
Butterfly Dreams 1973
Jaco Pastorius's own record
Word Of Mouth 1981
Jaco Pastorius plays bass here
More Jazz Fusion
Romantic Warrior 1976
Return to Forever
Recording Info
Track listing
1Everyday, Everynight4:55
2Samba Michel4:08
3The Hope3:39
4Five-Four3:32
5Walking Away4:55
6I Just Don’t Know3:56
7In Brasil3:50
8Las Olas4:23
9Blues Ballad1:54
10Overture2:56
11Why I’m Alone4:39
Musicians
Further Reading
Read more

Where next?

More by Flora Purim
Butterfly Dreams 1973
Stories to Tell 1974
Encounter 1977
Open Your Eyes You Can Fly 1976
All 27 albums →
The musicians on this record
Word Of Mouth 1981
Jaco Pastorius
plays bass here
A Brazilian Love Affair 1980
George Duke
plays electric piano here
Pilgrimage 2007
Michael Brecker
plays saxophone here
Taking Off 1975
David Sanborn
plays saxophone here
Their own records, close in time
More Jazz Fusion
Romantic Warrior 1976
Return to Forever
Romantic Warrior 1976
Chick Corea
Pat Metheny Group 1977
Pat Metheny
Mr. Gone 1978
Weather Report
All 134 Jazz Fusion artists →

More by this artist

Albums with the same musicians

From the same era

Similar artists

inside the sleeve
Growing
Jazz, explained without pretension.
Read · Follow the connections · Press play
Right now: 7,100+ albums · 440+ artists
Start here
New to jazz? These artists are good places to start.
Loading…
Explore
Nine records worth getting lost in.
Born today
Album of the day
A landmark record, every day.
Read
  • Loading…
Article archive →
Recently added
Purpose
Inside the Sleeve is your companion on a journey through jazz — not a textbook, but something closer to a knowledgeable friend sitting next to you while you listen. Read about an artist, press play, follow a connection, discover an album you didn't know you needed.
Suggestions
Read

Articles

Essays, guides, and lists about jazz and the records that matter.

Loading…

Genre

Key Artists
Further Reading

Essential Albums

Related Genres

In This Genre

About

Inside the Sleeve

Work in progress

Inside the Sleeve grows continuously — new artists and albums are added, essays refined, as visitors explore and our editors follow up on what they find. Content, features, and design are still evolving; use the Report error button on any page to flag something that seems off.

Content

Every artist, album, and release date on Inside the Sleeve is real — verified against trusted sources including MusicBrainz and Wikipedia. We don't invent discographies or fabricate records. AI compiles that verified information into readable prose — essays on artists, albums, and the music itself. We can't manually review every essay before publishing, but every reported error is checked by a human editor.

Inside the Sleeve is not a review site. We're not here to rate or rank — we're here to guide you in. Where an album stands out, we'll say so. Where an artist changed everything, you'll know why. But we won't tear anything down. Jazz history is complex and sources sometimes disagree — if you spot something that seems off, please report it.

Streaming

Inside the Sleeve links to Spotify and Apple Music so you can listen while you read. These are not affiliate links. For Spotify, links open a search on open.spotify.com — we do not have direct links to specific recordings. For Apple Music, direct links are used where available, otherwise a search is opened.

Your choice of streaming service is stored locally in your browser only. It is never sent to our servers.

We're working on deeper Spotify integration, including direct links to specific recordings.

Privacy

Inside the Sleeve does not collect personal data and does not use cookies. We count page visits anonymously using a self-hosted analytics tool — no personal identifiers are stored, and the data never leaves our own server. The only preference stored on your device is your streaming service choice, saved locally in your browser and never transmitted.

When you submit a suggestion or error report, the text you write is stored in our database. No name or email is required or collected unless you choose to provide one.

Third-party services

Spotify and Apple Music are independent services with their own terms of use and privacy policies. Inside the Sleeve is not affiliated with or endorsed by either company.

Support

Inside the Sleeve is free and ad-free. If you enjoy it, a coffee helps cover server costs and keeps the project going.

Amazon

Some book recommendations on Inside the Sleeve link to Amazon. Buying through these links costs you nothing extra — but Amazon pays us a small commission, which goes directly towards keeping the site running. It's a simple way to support the project if you were going to buy the book anyway.

As an Amazon Associate, Inside the Sleeve earns from qualifying purchases.

Questions or feedback? Use the suggestion box on the front page.

Inside the Sleeve — A guide for those who want to go beyond the obvious About & Privacy