Where do you listen?
Choose your streaming service
inside the sleeve
Loading…
inside the sleeveITS
⌕
Read About

♫

Facts
Connections
Read more

Discography

Collaborations

Live on Youtube

Explore Further

Selected connections
1975 · Album

Taking Off

↑ David Sanborn

Recorded 1975 · Warner Bros. Records · Chart Position: No. 19 on Billboard Jazz Albums chart
Taking Off

Sanborn's First Statement: Taking Off

A saxophonist finding his voice at the exact moment the industry was ready to listen.

Taking Off arrives early in Sanborn's career as a genuine debut statement—the album where a young saxophonist steps forward with something to say. Released on Warner Bros., it reached number 19 on the Jazz Albums chart, a respectable placement that announced Sanborn's arrival without overselling it. This was not a peak or a reinvention; it was an introduction, and it worked.

The album captures Sanborn playing with the kind of clarity and directness that would define his approach. He works in a straightforward idiom, letting the alto saxophone speak without unnecessary complexity. The music breathes. There's no sense of strain or overreach—just a player who has absorbed the bebop and post-bop vocabularies and is using them to say something immediate and personal. The record has the feel of a working saxophonist at a point where technique and taste are already in place, before celebrity or formula might calcify either one.

This is a solid place to begin with Sanborn if you want to hear him before his commercial peak arrived. It's direct enough to be accessible but serious enough to reward close listening. The album didn't revolutionize anything, but it did what a debut should do: it made clear that this saxophonist had something worth following.

Who's playing
Will Leebass
Buzz Feitenelectric guitar
Steve Khanguitar
Joe Beckelectric guitar
Michael Breckertenor saxophone
David Sanbornalto saxophone
Randy Breckertrumpet
Tom “Bones” Malonetrombone
Rick Marottadrums
Chris Parkerdrums
Ralph MacDonaldpercussion
Don Grolnickkeyboard
Howard Johnsonwind instruments
John ClarkFrench horn
Peter GordonFrench horn
Listen next
By David Sanborn
Timeagain 2003
Michael Brecker's own record
Pilgrimage 2007
Michael Brecker plays tenor saxophone here
More Soul Jazz
Say It Loud 1969
Lou Donaldson
Recording Info
Track listing
1Butterfat3:05
2'way 'Cross Georgia4:29
3Duck Ankles3:22
4Funky Banana3:20
5The Whisperer4:54
6It Took a Long Time3:33
7Black Light6:26
8Blue Night3:46
9Flight4:03
Musicians
Further Reading
Read more

Where next?

More by David Sanborn
Timeagain 2003
A Change of Heart 1987
Inside 1999
As We Speak 1982
All 26 albums →
The musicians on this record
Pilgrimage 2007
Michael Brecker
plays tenor saxophone here
Amanda 1985
Randy Brecker
plays trumpet here
Their own records, close in time
More Soul Jazz
Say It Loud 1969
Lou Donaldson
Alive! 1970
Grant Green
Root Down 1972
Jimmy Smith
I'm in the Mood for Love 1976
Richard Groove Holmes
All 103 Soul Jazz artists →

More by this artist

Albums with the same musicians

From the same era

Similar artists

inside the sleeve
Growing
Jazz, explained without pretension.
Read · Follow the connections · Press play
Right now: 7,100+ albums · 440+ artists
Start here
New to jazz? These artists are good places to start.
Loading…
Explore
Nine records worth getting lost in.
Born today
Album of the day
A landmark record, every day.
Read
  • Loading…
Article archive →
Recently added
Purpose
Inside the Sleeve is your companion on a journey through jazz — not a textbook, but something closer to a knowledgeable friend sitting next to you while you listen. Read about an artist, press play, follow a connection, discover an album you didn't know you needed.
Suggestions
Read

Articles

Essays, guides, and lists about jazz and the records that matter.

Loading…

Genre

Key Artists
Further Reading

Essential Albums

Related Genres

In This Genre

About

Inside the Sleeve

Work in progress

Inside the Sleeve grows continuously — new artists and albums are added, essays refined, as visitors explore and our editors follow up on what they find. Content, features, and design are still evolving; use the Report error button on any page to flag something that seems off.

Content

Every artist, album, and release date on Inside the Sleeve is real — verified against trusted sources including MusicBrainz and Wikipedia. We don't invent discographies or fabricate records. AI compiles that verified information into readable prose — essays on artists, albums, and the music itself. We can't manually review every essay before publishing, but every reported error is checked by a human editor.

Inside the Sleeve is not a review site. We're not here to rate or rank — we're here to guide you in. Where an album stands out, we'll say so. Where an artist changed everything, you'll know why. But we won't tear anything down. Jazz history is complex and sources sometimes disagree — if you spot something that seems off, please report it.

Streaming

Inside the Sleeve links to Spotify and Apple Music so you can listen while you read. These are not affiliate links. For Spotify, links open a search on open.spotify.com — we do not have direct links to specific recordings. For Apple Music, direct links are used where available, otherwise a search is opened.

Your choice of streaming service is stored locally in your browser only. It is never sent to our servers.

We're working on deeper Spotify integration, including direct links to specific recordings.

Privacy

Inside the Sleeve does not collect personal data and does not use cookies. We count page visits anonymously using a self-hosted analytics tool — no personal identifiers are stored, and the data never leaves our own server. The only preference stored on your device is your streaming service choice, saved locally in your browser and never transmitted.

When you submit a suggestion or error report, the text you write is stored in our database. No name or email is required or collected unless you choose to provide one.

Third-party services

Spotify and Apple Music are independent services with their own terms of use and privacy policies. Inside the Sleeve is not affiliated with or endorsed by either company.

Support

Inside the Sleeve is free and ad-free. If you enjoy it, a coffee helps cover server costs and keeps the project going.

Amazon

Some book recommendations on Inside the Sleeve link to Amazon. Buying through these links costs you nothing extra — but Amazon pays us a small commission, which goes directly towards keeping the site running. It's a simple way to support the project if you were going to buy the book anyway.

As an Amazon Associate, Inside the Sleeve earns from qualifying purchases.

Questions or feedback? Use the suggestion box on the front page.

Inside the Sleeve — A guide for those who want to go beyond the obvious About & Privacy