A live document of Di Meola conducting orchestras and world musicians in real time, messy and thrilling.
By 1991, Al Di Meola had spent years developing the World Sinfonia concept—bringing together classical orchestras, jazz musicians, and instrumentalists from around the globe to play his compositions. This live recording captures that vision in action at a London venue. What you get is Di Meola in a different role than the virtuoso guitarist audiences knew from his solo records. Here he's conducting, arranging, stepping back to let orchestral colors and international voices carry the weight. The guitar is still present, still technically impressive, but it's one voice in a much larger conversation.
The appeal of this album depends on what you want. If you're coming from Elegant Gypsy or his earlier fusion work, this will feel like a departure—less about jaw-dropping technical display and more about composition and orchestration. The live setting means you hear everything: ensemble tuning issues, moments where the coordination feels slightly loose, passages that breathe differently than a studio take would. That's actually part of the draw for some listeners. You're hearing the real struggle of conducting a multinational group through complex arrangements. The World Sinfonia trilogy (this being one installment) represents Di Meola trying something genuinely ambitious, even if the results are uneven.
This sits in the middle-to-later part of his catalog, well after his commercial peak but during a period when he was still exploring rather than repeating himself. It's not where to start if you've never heard Di Meola—begin with Elegant Gypsy or Friday Night in San Francisco. This album is for people who already appreciate his work and want to see where his restless mind was taking him in the early 1990s. Solid, interesting, occasionally brilliant, sometimes a bit unwieldy. Worth hearing if world music and orchestral arrangements appeal to you.