Where do you listen?
Choose your streaming service
inside the sleeve
Loading…
inside the sleeveITS
⌕
Read About

♫

Facts
Connections
Read more

Discography

Collaborations

Live on Youtube

Explore Further

Selected connections
1990 · Album

Time on My Hands

↑ John Scofield

Recorded 1990 · Blue Note Records · Personnel: John Scofield (guitar), Joe Lovano (tenor saxophone), Charlie Haden (bass), Jack DeJohnette (drums)
Time on My Hands

Four Players, One Afternoon, Pure Conversation

Scofield's first real conversation with Lovano became the sound that defined the nineties.

The best first meetings leave you wanting more. When John Scofield, Joe Lovano, Charlie Haden, and Jack DeJohnette came together for Time on My Hands (1990), they walked into the studio as musicians who'd crossed paths before but never locked in as a unit. What happened over those sessions became the template for everything Scofield would chase on Blue Note through the decade—small groups, space to breathe, no arrangements getting in the way of four people listening to each other.

The album sits somewhere between Scofield's electric fusion work and pure jazz conversation. Lovano's tenor is warm and direct, not flashy. Haden's bass carries weight without dominating. DeJohnette plays with the restraint of someone who doesn't need to prove anything. Scofield's guitar floats through it all, sometimes leading, sometimes stepping back. The tunes aren't complicated—they're strong enough that four musicians can find room inside them. There's nothing here trying to impress you with difficulty. It's about what happens when you trust your bandmates enough to simplify.

The Penguin Guide to Jazz Recordings gave it a perfect four stars, and that rating mattered because it signaled what Blue Note insiders already knew: this wasn't a side project or an experiment. This was the beginning of something. Lovano and Scofield would return to this quartet formula multiple times through the early nineties, touring and recording together. For Scofield, it marked a real shift—the start of a long run where he stopped chasing novelty and started building conversations with players he believed in.

Who's playing
Charlie Hadenbass
John Scofieldguitar
Joe Lovanosaxophone
Jack DeJohnettedrums
Listen next
By John Scofield
I Can See Your House From Here 1994
Charlie Haden's own record
Quartet West 1987
Charlie Haden plays bass here
More Post-Bop
Double Take 1985
Woody Shaw
Recording Info
Track listing
1Wabash III6:23
2Since You Asked6:13
3So Sue Me6:02
4Let's Say We Did4:26
5Flower Power5:01
6Stranger to the Light7:32
7Nocturnal Mission4:17
8Farmacology6:44
9Time and Tide5:53
10Be Hear Now6:55
11Fat Lip3:46
Musicians
Further Reading
Read more

Where next?

More by John Scofield
I Can See Your House From Here 1994
Flat Out 1989
Quiet 1996
Überjam Deux 2013
All 40 albums →
The musicians on this record
Quartet West 1987
Charlie Haden
plays bass here
Parallel Realities 1978
Jack DeJohnette
plays drums (drum set) here
Landmarks 1991
Joe Lovano
plays saxophone here
Their own records, close in time
More Post-Bop
Double Take 1985
Woody Shaw
Hot House Flowers 1984
Wynton Marsalis
African Venus 1994
Dewey Redman
Blue Light 'Til Dawn 1993
Cassandra Wilson
All 222 Post-Bop artists →

More by this artist

Albums with the same musicians

From the same era

Similar artists

inside the sleeve
Growing
Jazz, explained without pretension.
Read · Follow the connections · Press play
Right now: 7,100+ albums · 440+ artists
Start here
New to jazz? These artists are good places to start.
Loading…
Explore
Nine records worth getting lost in.
Born today
Album of the day
A landmark record, every day.
Read
  • Loading…
Article archive →
Recently added
Purpose
Inside the Sleeve is your companion on a journey through jazz — not a textbook, but something closer to a knowledgeable friend sitting next to you while you listen. Read about an artist, press play, follow a connection, discover an album you didn't know you needed.
Suggestions
Read

Articles

Essays, guides, and lists about jazz and the records that matter.

Loading…

Genre

Key Artists
Further Reading

Essential Albums

Related Genres

In This Genre

About

Inside the Sleeve

Work in progress

Inside the Sleeve grows continuously — new artists and albums are added, essays refined, as visitors explore and our editors follow up on what they find. Content, features, and design are still evolving; use the Report error button on any page to flag something that seems off.

Content

Every artist, album, and release date on Inside the Sleeve is real — verified against trusted sources including MusicBrainz and Wikipedia. We don't invent discographies or fabricate records. AI compiles that verified information into readable prose — essays on artists, albums, and the music itself. We can't manually review every essay before publishing, but every reported error is checked by a human editor.

Inside the Sleeve is not a review site. We're not here to rate or rank — we're here to guide you in. Where an album stands out, we'll say so. Where an artist changed everything, you'll know why. But we won't tear anything down. Jazz history is complex and sources sometimes disagree — if you spot something that seems off, please report it.

Streaming

Inside the Sleeve links to Spotify and Apple Music so you can listen while you read. These are not affiliate links. For Spotify, links open a search on open.spotify.com — we do not have direct links to specific recordings. For Apple Music, direct links are used where available, otherwise a search is opened.

Your choice of streaming service is stored locally in your browser only. It is never sent to our servers.

We're working on deeper Spotify integration, including direct links to specific recordings.

Privacy

Inside the Sleeve does not collect personal data and does not use cookies. We count page visits anonymously using a self-hosted analytics tool — no personal identifiers are stored, and the data never leaves our own server. The only preference stored on your device is your streaming service choice, saved locally in your browser and never transmitted.

When you submit a suggestion or error report, the text you write is stored in our database. No name or email is required or collected unless you choose to provide one.

Third-party services

Spotify and Apple Music are independent services with their own terms of use and privacy policies. Inside the Sleeve is not affiliated with or endorsed by either company.

Support

Inside the Sleeve is free and ad-free. If you enjoy it, a coffee helps cover server costs and keeps the project going.

Amazon

Some book recommendations on Inside the Sleeve link to Amazon. Buying through these links costs you nothing extra — but Amazon pays us a small commission, which goes directly towards keeping the site running. It's a simple way to support the project if you were going to buy the book anyway.

As an Amazon Associate, Inside the Sleeve earns from qualifying purchases.

Questions or feedback? Use the suggestion box on the front page.

Inside the Sleeve — A guide for those who want to go beyond the obvious About & Privacy