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1952 · Album

The Original Quartet With Chet Baker

↑ Gerry Mulligan

Recorded 1952-1953 · Pacific Jazz Records · Produced by Richard Bock
The Original Quartet With Chet Baker

Four Horns, No Piano, Pure Air

Mulligan and Baker made something light and swinging that still sounds fresh because nothing was wasted.

When Gerry Mulligan and Chet Baker started playing together in the early 1950s, the standard jazz combo had a pianist anchoring everything. Mulligan decided to leave that chair empty. Instead of filling space, the two horns had to listen harder—Baker's trumpet weaving around Mulligan's baritone sax, both of them taking responsibility for melody and conversation. It's a simple idea that works because both players had the chops and the temperament to make it work. There's nowhere to hide in a quartet without piano.

What you hear on these recordings is restraint that doesn't feel like sacrifice. The tunes breathe. Mulligan's tone on baritone is warm but controlled—nothing like the thicker, heavier approach other players favored. Baker's trumpet floats above it all, pretty but never sentimental. The arrangements stay out of the way, which means you're really just listening to two musicians thinking together. "Walkin' Shoes" and "Five Brothers" show up here, compositions that became standards partly because they leave room for this kind of conversation.

If you're new to Mulligan, this is the right place to start. It's accessible without being obvious, inventive without showing off. The chemistry between him and Baker is real—you can hear them enjoying the challenge of keeping things moving without a rhythm section underneath. Not every album needs to be revolutionary; sometimes the revolution is just paying attention to what two good players can do when the arrangement gets out of the way. This quartet sits at the heart of the cool jazz movement, and these recordings prove why it mattered.

Who's playing
Red Mitchelldouble bass
Gerry Mulliganpiano
Chico Hamiltondrums
Listen next
By Gerry Mulligan
Gerry Mulligan Meets Ben Webster 1959
Red Mitchell's own record
Bob Brookmeyer Featuring John Williams & Red Mitchell 1963
Red Mitchell plays double bass here
More Cool Jazz
Birth of the Cool 1950
Miles Davis
Recording Info
Track listing
1Get Happy2:34
2’s Wonderful3:35
3Godchild2:52
4Dinah2:59
5She Didn’t Say Yes, She Didn’t Say No2:35
6Bernie’s Tune2:54
7Lullaby of the Leaves3:15
8Utter Chaos #10:36
9Aren’t You Glad You’re You2:53
10Frenesi3:11
11Nights at the Turntable2:54
12Freeway2:47
13Soft Shoe2:40
14Walking Shoes3:14
15Aren’t You Glad You’re You (live)3:40
16Get Happy (live)5:52
17Poinciana (live)3:52
18Godchild (live)3:59
19Makin’ Whoopee3:29
20Cherry2:58
21Motel2:37
22Carson City Stage2:30
23My Old Flame3:14
24Love Me or Leave Me (alternate take)2:50
25Love Me or Leave Me2:44
26Swinghouse (10″ LP take)2:56
27Swinghouse (12″ LP take)2:58
28Jeru2:31
29Utter Chaos #20:33
30Darn That Dream3:51
31Darn That Dream (alternate take)3:23
32I May Be Wrong (12″ LP take)3:01
33I May Be Wrong (10″ LP take)2:53
34I’m Beginning to See the Light (10″ LP take)3:38
35I’m Beginning to See the Light (12″ LP take)3:09
36The Nearness of You2:54
37Tea for Two2:50
38Five Brothers3:01
39I Can’t Get Started4:04
40Ide’s Side4:24
41Funhouse3:30
42My Funny Valentine5:12
Musicians
Further Reading
Read more

Where next?

More by Gerry Mulligan
Gerry Mulligan Meets Ben Webster 1959
Night Lights 1963
Jeru 1952
What Is There To Say? 1959
All 14 albums →
The musicians on this record
Bob Brookmeyer Featuring John Williams & Red Mitchell 1963
Red Mitchell
plays double bass here
Passin' Thru 1963
Chico Hamilton
plays drums (drum set) here
Their own records, close in time
More Cool Jazz
Birth of the Cool 1950
Miles Davis
Subconscious-Lee 1955
Lee Konitz
Something Cool 1954
June Christy
Music for Prancing 1957
Warne Marsh
All 73 Cool Jazz artists →

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