Turrentine found his crowning achievement during jazz's growing pains, a record where every musician clicked.
Sugar arrived as an immediate success. Critics and listeners embraced it right away, and it has only grown in stature since. AllMusic reviewer Thom Jurek called it essential for anyone wanting to hear Turrentine beyond his Blue Note years, and All About Jazz critic David Rickert declared it a moment when a group of musicians simply clicked on all levels and rose into the stratosphere. This was Turrentine's first album for CTI Records after his long run at Blue Note, and it marked a clear shift in sound and approach.
The music itself lives up to the praise. Freddie Hubbard on trumpet and George Benson on electric guitar push Turrentine into territory that feels both modern and soulful. Ron Carter anchors the bottom with his usual elegance, and Billy Kaye drives everything forward with restraint and taste. The title track, sweetened by Lonnie Liston Smith's electric piano, has a warmth that caught people's attention immediately. The other selections feature Butch Cornell on organ and Richard Landrum on congas, giving those tracks a funkier, more earthy feel. Turrentine sounds relaxed and inventive throughout, not chasing anything, just playing.
This is a record that works because everyone involved knew exactly what the session needed. It landed at the right moment in the early 1970s, when jazz was changing but hadn't lost its soul. It remains one of his strongest albums and one of the best entry points for understanding Turrentine's post-Blue Note era.