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1959 · Album

Reunion With Chet Baker

↑ Gerry Mulligan

Recorded 1957 · Pacific Jazz · Produced by Richard Bock
Reunion With Chet Baker

Two Masters Finding Their Way Back

Mulligan and Baker prove their chemistry hasn't faded, even if the results feel slightly cautious.

By the time Gerry Mulligan and Chet Baker reunited for this session, they'd already carved out their place in jazz history together during their pianoless quartet days. This record marks them crossing paths again after taking separate roads for a while, and there's a particular kind of comfort in how they play — the kind that comes from two musicians who understand each other's language without needing to overthink it. The interplay between Mulligan's baritone and Baker's trumpet has that familiar warmth, but honestly, the record doesn't feel like a revelation. It's solid, pleasant even, but it lacks the restless energy that made their earlier work together so distinctive.

What makes this worth hearing is how it captures them in a reflective mood rather than a hungry one. The ballads sit well with both players — Baker's tone is liquid and careful, while Mulligan's sax lines move with the ease of someone who's thought through every note. The tempo pieces have less spark than you might hope for, though there's a professional competence that keeps things moving. If you're already familiar with their pianoless quartet work, this will feel like visiting old friends rather than discovering something new. It's the sound of two skilled musicians honoring what they built together.

This isn't the place to start if you're new to either player. The pianoless quartet recordings from earlier in their careers remain the essential introduction to what made this partnership matter. This reunion is really for listeners who already know what they can do and are curious to hear how time has treated them. It's a decent album — respectable, even — but it ultimately feels like a pleasant goodbye rather than a reinvention.

Who's playing
Henry Grimesbass
Gerry Mulliganbaritone saxophone
Chet Bakertrumpet
Dave Baileydrums
Listen next
By Gerry Mulligan
Gerry Mulligan Meets Ben Webster 1959
Chet Baker's own record
It Could Happen to You 1958
Chet Baker plays trumpet here
More Cool Jazz
Something Cool 1954
June Christy
Recording Info
Track listing
1Reunion4:09
2When Your Lover Has Gone5:10
3Stardust4:46
4My Heart Belongs to Daddy4:15
5Jersey Bounce4:29
6The Surrey With the Fringe on Top4:44
7Trav'Lin' Light3:44
8Trav'Lin' Light (alternate take)4:35
9Ornithology5:14
10People Will Say We're in Love3:43
11The Song Is You3:23
12Gee Baby, Ain't I Good to You3:37
13Gee Baby, Ain't I Good to You (alternate take)3:34
14I Got Rhythm6:01
15All the Things You Are6:46
Musicians
Further Reading
Read more

Where next?

More by Gerry Mulligan
Gerry Mulligan Meets Ben Webster 1959
Night Lights 1963
Jeru 1952
What Is There To Say? 1959
All 14 albums →
The musicians on this record
It Could Happen to You 1958
Chet Baker
plays trumpet here
Their own records, close in time
More Cool Jazz
Something Cool 1954
June Christy
Subconscious-Lee 1955
Lee Konitz
Music for Prancing 1957
Warne Marsh
Courts the Count 1954
Shorty Rogers
All 73 Cool Jazz artists →

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