Where do you listen?
Choose your streaming service
inside the sleeve
Loading…
inside the sleeveITS
⌕
Read About

♫

Facts
Connections
Read more

Discography

Collaborations

Live on Youtube

Explore Further

Selected connections
1990 · Album

LOOKING (Berlin Version) CORONA

↑ Cecil Taylor

Recorded Berlin, November 3 & 4, 1989 · FMP · Personnel: [Cecil Taylor] (piano), [Harald Kimmig] (guitar), [Muneer Abdul Fataah] (bass), [William Parker] (cello), [Tony Oxley] (drums)

Five Voices in a Berlin Night

Taylor's piano cuts through the ensemble like a blade, urgent and unstoppable.

Berlin, November 1989. Cecil Taylor arrived with Harald Kimmig on guitar, Muneer Abdul Fataah on bass, William Parker on cello, and Tony Oxley on drums—an unusual front line for Taylor, built more on strings than the horns he'd favored for decades. The grouping mattered. Without saxophone or trumpet to compete with his left hand, Taylor had room to build architecture; the ensemble had to listen harder, move faster, stay alert. What emerged across those two nights was sharp and combative in the best way, nothing soft or exploratory for its own sake.

Taylor's playing here is characteristically dense—fast runs, unexpected silences, blocks of dissonance that land like deliberate provocation. But the real interest is watching how the quintet responds. Kimmig and Parker don't try to match Taylor's velocity; they anchor and push back. Oxley drives without settling into time. The music never settles, never coddles. It's working music, made by musicians who understood that Taylor's world demanded total commitment or nothing at all.

This isn't Taylor's best-known work. Serious collectors know Looking (Berlin Version) Corona (1989) as a solid late-period entry—one of many FMP recordings he made in those years—but rarely as a place to start. That's fair. It rewards listening if you already trust Taylor's aesthetic. The Penguin Guide gave it 3.5 stars, and AllMusic reviewer Brian Olewnick called it "quite enjoyable" for the committed aficionado, which amounts to a real compliment in that context. Not every session needs to be essential.

Who's playing
William Parkerdouble bass
Cecil Taylorpiano
Tony Oxleydrums
Muneer Abdul Fataahcello
Harald Kimmigviolin
Listen next
By Cecil Taylor
Conquistador! 1967
Tony Oxley's own record
February Papers 1977
Tony Oxley plays drums (drum set) here
More Free Jazz
Touchin’ on Trane 1993
Charles Gayle
Recording Info
Track listing
1LOOKING (Berlin Version) CORONA: a. First Movement60:15
2LOOKING (Berlin Version) CORONA: b. Second Movement3:30
3LOOKING (Berlin Version) CORONA: c. Third Movement7:50
Musicians
Further Reading
Read more

Where next?

More by Cecil Taylor
Conquistador! 1967
Indent 1973
♫
Air Above Mountains ‹ Buildings Within › 1977
Jumpin’ Punkins 1961
All 77 albums →
The musicians on this record
February Papers 1977
Tony Oxley
plays drums (drum set) here
In Order to Survive 1993
William Parker
plays double bass here
Their own records, close in time
More Free Jazz
Touchin’ on Trane 1993
Charles Gayle
Life Rays 1982
Andrew Cyrille
Go See the World 1998
David S. Ware
13# Steps on Glass 1995
Sunny Murray
All 116 Free Jazz artists →

More by this artist

Albums with the same musicians

From the same era

Similar artists

inside the sleeve
Growing
Jazz, explained without pretension.
Read · Follow the connections · Press play
Right now: 7,100+ albums · 440+ artists
Start here
New to jazz? These artists are good places to start.
Loading…
Explore
Nine records worth getting lost in.
Born today
Album of the day
A landmark record, every day.
Read
  • Loading…
Article archive →
Recently added
Purpose
Inside the Sleeve is your companion on a journey through jazz — not a textbook, but something closer to a knowledgeable friend sitting next to you while you listen. Read about an artist, press play, follow a connection, discover an album you didn't know you needed.
Suggestions
Read

Articles

Essays, guides, and lists about jazz and the records that matter.

Loading…

Genre

Key Artists
Further Reading

Essential Albums

Related Genres

In This Genre

About

Inside the Sleeve

Work in progress

Inside the Sleeve grows continuously — new artists and albums are added, essays refined, as visitors explore and our editors follow up on what they find. Content, features, and design are still evolving; use the Report error button on any page to flag something that seems off.

Content

Every artist, album, and release date on Inside the Sleeve is real — verified against trusted sources including MusicBrainz and Wikipedia. We don't invent discographies or fabricate records. AI compiles that verified information into readable prose — essays on artists, albums, and the music itself. We can't manually review every essay before publishing, but every reported error is checked by a human editor.

Inside the Sleeve is not a review site. We're not here to rate or rank — we're here to guide you in. Where an album stands out, we'll say so. Where an artist changed everything, you'll know why. But we won't tear anything down. Jazz history is complex and sources sometimes disagree — if you spot something that seems off, please report it.

Streaming

Inside the Sleeve links to Spotify and Apple Music so you can listen while you read. These are not affiliate links. For Spotify, links open a search on open.spotify.com — we do not have direct links to specific recordings. For Apple Music, direct links are used where available, otherwise a search is opened.

Your choice of streaming service is stored locally in your browser only. It is never sent to our servers.

We're working on deeper Spotify integration, including direct links to specific recordings.

Privacy

Inside the Sleeve does not collect personal data and does not use cookies. We count page visits anonymously using a self-hosted analytics tool — no personal identifiers are stored, and the data never leaves our own server. The only preference stored on your device is your streaming service choice, saved locally in your browser and never transmitted.

When you submit a suggestion or error report, the text you write is stored in our database. No name or email is required or collected unless you choose to provide one.

Third-party services

Spotify and Apple Music are independent services with their own terms of use and privacy policies. Inside the Sleeve is not affiliated with or endorsed by either company.

Support

Inside the Sleeve is free and ad-free. If you enjoy it, a coffee helps cover server costs and keeps the project going.

Amazon

Some book recommendations on Inside the Sleeve link to Amazon. Buying through these links costs you nothing extra — but Amazon pays us a small commission, which goes directly towards keeping the site running. It's a simple way to support the project if you were going to buy the book anyway.

As an Amazon Associate, Inside the Sleeve earns from qualifying purchases.

Questions or feedback? Use the suggestion box on the front page.

Inside the Sleeve — A guide for those who want to go beyond the obvious About & Privacy