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Four Classic Albums (Second Set)

↑ Lester Young

Artist: Lester Willis Young, nicknamed "Pres" or "Prez" · Instrument: Tenor saxophonist and occasional clarinetist
Four Classic Albums (Second Set)

Pres in Prime Form: The Second Set Arrives

Young's tenor cuts through with that signature breathy tone, unhurried and precise, exactly what made him essential.

By the time these sessions were recorded, Lester Young had already reshaped what a tenor saxophonist could sound like. The 'Pres'—as he was known to everyone who mattered in jazz—played differently than the heavyweights who came before him. Where others pushed hard and voiced thick, Young floated his lines, played with space and air, let the melody breathe. Four Classic Albums (Second Set) collects four separate recording projects, each one showing different sides of how he worked.

The value of a compilation like this is that you get to hear Young across contexts without the weight of a single narrative arc. Some tracks find him in small group settings where his tenor can really speak; others put him in larger arrangements where his tone still cuts through but the surroundings are richer. His occasional clarinet work appears too, a reminder that he could shift instruments without losing that core sound. The playing is consistent—poised, intelligent, never wasteful. Young doesn't dazzle you with technique for its own sake; he says what he means and stops. For listeners who know his earlier work, this set represents him at a point where his style was fully formed and completely confident.

This is worth hearing if you want to understand why Young mattered so much to musicians who came after him. The direct approach, the economy of phrasing, the way he could make a ballad sit without sentimentality—these were lessons. The album works best for someone already curious about Young rather than as an entry point; if you're just starting, Pres (1956) or his earlier Blue Note sides offer better single-album introductions. But if you know his work and want a broad survey of how he sounded across different projects and contexts, this collection delivers that efficiently.

Who's playing
Listen next
By Lester Young
In Washington, D.C. 1956, Volume One 1956
More Swing
After Midnight 1956
Nat King Cole
Recording Info
Track listing
1Lester Leaps Again (take 1)4:27
2After Theatre Jump (take 2)4:45
3Destination K.C. (take 1)3:53
4I Never Knew (take 2)3:11
5Just You, Just Me (take 2)3:12
6Afternoon of a Basie-ite (take 2)3:11
7Sometimes I'm Happy (take 2)3:08
8(I Don't Stand) Ghost of a Chance3:28
9Crazy over Jazz2:47
10Ding Dong2:27
11(Back Home Again In) Indiana2:54
12These Foolish Things2:58
13Exercise in Swing3:03
14Blues 'n Bells2:12
15Salute to Fats3:24
16June Bug2:38
17Blue Lester3:25
18Jump, Lester, Jump3:18
19Basie English3:01
20I Guess I'll Have to Change My Plan9:34
21I Didn't Know What Time It Was10:05
22Gigantic Blues6:54
23This Year's Kisses6:48
24You Can Depend on Me9:09
25Swingin' at Newport8:32
26Polka Dots and Moonbeams3:36
27Lester Leaps In3:05
28Sent for You Yesterday (And Here You Come Today)4:07
29Boogie Woogie (I May Be Wrong)3:52
30Evenin'3:35
31One O'Clock Jump9:27
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Where next?

More by Lester Young
In Washington, D.C. 1956, Volume One 1956
Pres and Sweets 1955
Le Dernier Message de Lester Young 1959
In Washington, D.C. 1956 Volume Two 1956
All 25 albums →
More Swing
After Midnight 1956
Nat King Cole
Big Swing Face 1967
Buddy Rich
The Joint Is Jumpin' 1929
Fats Waller
Wishes You a Swinging Christmas 1960
Ella Fitzgerald
All 94 Swing artists →

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