Where do you listen?
Choose your streaming service
inside the sleeve
Loading…
inside the sleeveITS
⌕
Read About

♫

Facts
Connections
Read more

Discography

Collaborations

Live on Youtube

Explore Further

Selected connections
1966 · Album

The Spoiler

↑ Stanley Turrentine

Recorded 1966 · Blue Note
The Spoiler

Turrentine Surrounded by Heavyweights

Despite some potentially indifferent material, Turrentine is in fine form throughout.

The Spoiler catches Stanley Turrentine in a session stacked with serious talent, and the weight of it shows in every solo. Blue Mitchell on trumpet, Pepper Adams on baritone, James Spaulding on alto and flute, Julian Priester on trombone — that's a front line built for collision, not consensus. McCoy Tyner anchors it all at the piano while Bob Cranshaw holds the low end and Mickey Roker drives from the drums. With Duke Pearson's arrangements threading through, this reads like a lineup assembled to test Turrentine's mettle, and he answers the challenge. His tone stays warm and centered even when surrounded, which matters because the material itself is uneven — some tracks land harder than others, and not every composition feels like it needed this much firepower.

What saves it is Turrentine's refusal to get lost in the crowd. He solos with clarity and purpose, never rushing, never overshadowed. Tyner's chords give everything a sophisticated harmonic floor, and the horns trade ideas with real energy. This isn't a small group date; it's a brass conference where everyone has something to prove. The session captures a moment when Blue Note could still throw money at a date and expect results — good players, solid arrangements, proper time to get it right.

It stands as a solid mid-career statement, neither his peak nor a misstep. AllMusic reviewer Scott Yanow's 4½-star rating acknowledges what works here: a saxophonist comfortable enough in his own voice to hold his ground against this company. Not every album needs to be historic, and this one doesn't claim to be. It's a pro session, well-executed, with enough character to stay with you.

Who's playing
Bob Cranshawdouble bass
McCoy Tynerpiano
Pepper Adamsbaritone saxophone
James Spauldingalto saxophone, flute
Stanley Turrentinetenor saxophone
Blue Mitchelltrumpet
Julian Priestertrombone
Mickey Rokerdrums
Listen next
By Stanley Turrentine
Rough ’n’ Tumble 1966
McCoy Tyner's own record
The Real McCoy 1967
McCoy Tyner plays piano here
More Soul Jazz
Say It Loud 1969
Lou Donaldson
Recording Info
Track listing
1The Magilla6:05
2When the Sun Comes Out6:01
3La Fiesta5:04
4Sunny7:23
5Maybe September (Theme from “The Oscar”)4:45
6You’re Gonna Hear From Me5:21
Musicians
Further Reading
Read more

Where next?

More by Stanley Turrentine
Rough ’n’ Tumble 1966
Hustlin’ 1965
Sugar 1971
Comin’ Your Way 1960
All 64 albums →
The musicians on this record
The Real McCoy 1967
McCoy Tyner
plays piano here
Masters From Different Worlds 1994
Julian Priester
plays trombone here
Their own records, close in time
More Soul Jazz
Say It Loud 1969
Lou Donaldson
Bad! Bossa Nova 1962
Gene Ammons
Alive! 1970
Grant Green
Root Down 1972
Jimmy Smith
All 103 Soul Jazz artists →

More by this artist

Albums with the same musicians

From the same era

Similar artists

inside the sleeve
Growing
Jazz, explained without pretension.
Read · Follow the connections · Press play
Right now: 7,100+ albums · 440+ artists
Start here
New to jazz? These artists are good places to start.
Loading…
Explore
Nine records worth getting lost in.
Born today
Album of the day
A landmark record, every day.
Read
  • Loading…
Article archive →
Recently added
Purpose
Inside the Sleeve is your companion on a journey through jazz — not a textbook, but something closer to a knowledgeable friend sitting next to you while you listen. Read about an artist, press play, follow a connection, discover an album you didn't know you needed.
Suggestions
Read

Articles

Essays, guides, and lists about jazz and the records that matter.

Loading…

Genre

Key Artists
Further Reading

Essential Albums

Related Genres

In This Genre

About

Inside the Sleeve

Work in progress

Inside the Sleeve grows continuously — new artists and albums are added, essays refined, as visitors explore and our editors follow up on what they find. Content, features, and design are still evolving; use the Report error button on any page to flag something that seems off.

Content

Every artist, album, and release date on Inside the Sleeve is real — verified against trusted sources including MusicBrainz and Wikipedia. We don't invent discographies or fabricate records. AI compiles that verified information into readable prose — essays on artists, albums, and the music itself. We can't manually review every essay before publishing, but every reported error is checked by a human editor.

Inside the Sleeve is not a review site. We're not here to rate or rank — we're here to guide you in. Where an album stands out, we'll say so. Where an artist changed everything, you'll know why. But we won't tear anything down. Jazz history is complex and sources sometimes disagree — if you spot something that seems off, please report it.

Streaming

Inside the Sleeve links to Spotify and Apple Music so you can listen while you read. These are not affiliate links. For Spotify, links open a search on open.spotify.com — we do not have direct links to specific recordings. For Apple Music, direct links are used where available, otherwise a search is opened.

Your choice of streaming service is stored locally in your browser only. It is never sent to our servers.

We're working on deeper Spotify integration, including direct links to specific recordings.

Privacy

Inside the Sleeve does not collect personal data and does not use cookies. We count page visits anonymously using a self-hosted analytics tool — no personal identifiers are stored, and the data never leaves our own server. The only preference stored on your device is your streaming service choice, saved locally in your browser and never transmitted.

When you submit a suggestion or error report, the text you write is stored in our database. No name or email is required or collected unless you choose to provide one.

Third-party services

Spotify and Apple Music are independent services with their own terms of use and privacy policies. Inside the Sleeve is not affiliated with or endorsed by either company.

Support

Inside the Sleeve is free and ad-free. If you enjoy it, a coffee helps cover server costs and keeps the project going.

Amazon

Some book recommendations on Inside the Sleeve link to Amazon. Buying through these links costs you nothing extra — but Amazon pays us a small commission, which goes directly towards keeping the site running. It's a simple way to support the project if you were going to buy the book anyway.

As an Amazon Associate, Inside the Sleeve earns from qualifying purchases.

Questions or feedback? Use the suggestion box on the front page.

Inside the Sleeve — A guide for those who want to go beyond the obvious About & Privacy