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1947 · Album

“The Complete Town Hall Concert” 17 May 1947

↑ Louis Armstrong

Recorded May 17, 1947 · Commodore Records · Produced by Not reliably documented
“The Complete Town Hall Concert” 17 May 1947

Armstrong at Town Hall: May 1947

Armstrong and his small group playing live, stripped down and direct, showing exactly why he mattered.

By 1947, Louis Armstrong had already done the work that would secure his place in music history. He'd invented modern jazz trumpet in the 1920s, made the singer's voice an instrument, led the Hot Five and Hot Seven sessions that people still study today. So what's the point of this Town Hall concert? Simple: it's Armstrong in the middle of his career, on stage in New York, playing what he felt like playing that night with Jack Teagarden, Earl Hines, and Sid Catlett. There's no studio polish here, no second takes, just the sound of these musicians listening to each other and responding in real time. The format is loose—standards, blues, some Dixieland stomps, plenty of space for trading solos. Armstrong's trumpet playing is direct and warm, his singing conversational, his timing impeccable in ways that only come from decades of knowing exactly what you're doing.

What makes this recording worth your attention is that it catches Armstrong doing his job without any pretense. He's not trying to prove anything to anyone. Teagarden's trombone is all over these performances, and Hines on piano drives everything forward with that stride-influenced left hand. Catlett's drumming is busy and inventive in the way swing drummers were before the bebop guys started stripping things down. The band sounds like people who've played together before, even if this is a one-off concert. There's an ease to it.

This sits squarely in Armstrong's middle period, after his biggest pop successes but before the later All Stars recordings that became more of a nostalgia trip. It's not his peak—those early 1920s recordings are still his most important—but this is essential if you want to understand Armstrong as a bandleader and improviser, not just a celebrity. It's also one of the few surviving documents of Armstrong playing with these particular musicians in a live setting. Not every moment sparkles, but that's what makes it real.

Who's playing
Bob Haggartdouble bass
Dick Carypiano
Louis Armstrongtrumpet
Bobby Hacketttrumpet
Jack Teagardentrombone
Sid Catlettdrums
Peanuts Huckoclarinet
Listen next
By Louis Armstrong
Satch Plays Fats: A Tribute to the Immortal Fats Waller 1955
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Turn On the Heat: The Fats Waller Piano Solos 1945
Fats Waller
Recording Info
Track listing
1Introduction by Fred Robbins0:44
2Cornet Chop Suey2:56
3Our Monday Date3:01
4Dear Old Southland3:37
5Big Butter and Egg Man4:10
6Tiger Rag5:27
7Struttin’ With Some Barbecue3:34
8Sweethearts on Parade4:33
9Saint Louis Blues3:21
10Pennies From Heaven3:40
11On the Sunny Side of the Street4:42
12I Can’t Give You Anything but Love3:11
13Back o’Town Blues4:09
14Ain’t Misbehavin’3:52
15Rockin’ Chair5:06
16Muskrat Ramble2:10
17Save It, Pretty Mama4:25
18Saint James Infirmary3:37
19Royal Garden Blues4:40
20Do You Know What It Means to Miss New Orleans3:33
21Jack-Armstrong Blues4:34
Musicians
Further Reading
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Where next?

More by Louis Armstrong
Satch Plays Fats: A Tribute to the Immortal Fats Waller 1955
Louis Armstrong Meets Oscar Peterson 1957
Disney Songs the Satchmo Way 1968
Louis Armstrong and His Friends 1970
All 31 albums →
More Early Jazz
Turn On the Heat: The Fats Waller Piano Solos 1945
Fats Waller
Piano Starts Here 1949
Art Tatum
Roy and Diz 1954
Roy Eldridge
B.G. in Hi-Fi 1954
Benny Goodman
All 41 Early Jazz artists →

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