Roy Haynes keeps the snare crackling and the band swinging across a session packed with strong sidemen.
The record opens with the kind of loose, swinging energy that Roy Haynes built a career on: a crisp drum sound, bright horns pushing forward, and a rhythm section that feels comfortable enough to take chances. The tempos move between brisk and relaxed, the mood stays playful, and Haynes's snare work does most of the talking, sharp and buoyant without ever getting fussy.
What stands out is how easily the players interact. Jaleel Shaw's alto saxophone sits in the front line with a clean, lively tone, while the percussion overdubs from Martin Bejerano and Roberto Quintero add a layer of color that never clutters the groove. Chick Corea's piano brings sly harmonic turns, and Roy Hargrove's brass adds punch. David Wong's bass keeps everything grounded.
This is not a career-defining statement, but it is a solid, enjoyable record from a drummer who was still vital late in his long life. If you already know Haynes's work with the great bebop and post-bop groups, this fits comfortably alongside them. It is a good entry point for listeners who want to hear him playing with confidence and humor.