Where do you listen?
Choose your streaming service
inside the sleeve
Loading…
inside the sleeveITS
⌕
Read About

♫

Facts
Connections
Read more

Discography

Collaborations

Live on Youtube

Explore Further

Selected connections
1995 · Album

Only Trust Your Heart

↑ Diana Krall

GRP Records · Released: February 14, 1995 · Type: Second studio album
Only Trust Your Heart

Second album, second chances, solid ground

Krall's second record found its footing with critics who recognized a pianist hitting her stride early.

Only Trust Your Heart arrived in early 1995 as Diana Krall's second studio album, and it landed in a middle position — not an immediate breakthrough, but solid enough that critics took notice. AllMusic gave it three stars, The Penguin Guide to Jazz on CD awarded 3.5 out of 4, and The Rolling Stone Jazz & Blues Album Guide matched that at 3.5 out of 5. These are the ratings of a record that works, that shows promise, but that hasn't yet made the leap into something undeniable.

What matters about this album is that it shows Krall early in her career, still finding her voice at the piano. She wasn't yet the household name she would become, but the groundwork was there — a pianist with real facility, thoughtful about standards and what they could offer. For listeners discovering her in the mid-nineties, this was a legitimate entry point, a chance to hear her in a straightforward trio or quartet setting, playing material that demands musicianship without tricks. The album didn't explode on release, but it didn't need to. It was the kind of record that built an audience slowly, one listener at a time, through radio play, word of mouth, and the simple fact that it was competently made by someone worth following.

The critical response suggested Krall had something, even if they weren't ready to declare her essential. Later records would take bigger risks and reach wider audiences, but Only Trust Your Heart did what a second album is supposed to do — it proved the first wasn't a fluke, and it gave people a reason to stick around for what came next.

Who's playing
Ray Browndouble bass
Christian McBridedouble bass
Diana Krallpiano
Stanley Turrentinesaxophone
Lewis Nashdrums
Listen next
By Diana Krall
Wallflower 2015
Stanley Turrentine's own record
More Than a Mood 1992
Stanley Turrentine plays saxophone here
More Vocal Jazz
In Good Company 1989
Joe Williams
Recording Info
Track listing
1Is You Is or Is You Ain't My Baby4:58
2Only Trust Your Heart5:20
3I Love Being Here With You3:40
4Broadway7:27
5Folks Who Live on the Hill4:19
6I've Got the World on a String5:20
7Squeeze Me5:38
8All Night Long6:42
9CRS Craft3:31
Musicians
Further Reading
Read more

Where next?

More by Diana Krall
Wallflower 2015
Live in Paris 2001
Glad Rag Doll 2012
When I Look in Your Eyes 1999
All 22 albums →
The musicians on this record
More Than a Mood 1992
Stanley Turrentine
plays saxophone here
Gettin' To It 1994
Christian McBride
plays double bass here
This One's for Blanton! 1975
Ray Brown
plays double bass here
Their own records, close in time
More Vocal Jazz
In Good Company 1989
Joe Williams
This Time It's Love 1998
Kurt Elling
Jazz Poet 1990
Tommy Flanagan
Live at Bubba's 1988
Carmen McRae
All 75 Vocal Jazz artists →

More by this artist

Albums with the same musicians

From the same era

Similar artists

inside the sleeve
Growing
Jazz, explained without pretension.
Read · Follow the connections · Press play
Right now: 7,100+ albums · 440+ artists
Start here
New to jazz? These artists are good places to start.
Loading…
Explore
Nine records worth getting lost in.
Born today
Album of the day
A landmark record, every day.
Read
  • Loading…
Article archive →
Recently added
Purpose
Inside the Sleeve is your companion on a journey through jazz — not a textbook, but something closer to a knowledgeable friend sitting next to you while you listen. Read about an artist, press play, follow a connection, discover an album you didn't know you needed.
Suggestions
Read

Articles

Essays, guides, and lists about jazz and the records that matter.

Loading…

Genre

Key Artists
Further Reading

Essential Albums

Related Genres

In This Genre

About

Inside the Sleeve

Work in progress

Inside the Sleeve grows continuously — new artists and albums are added, essays refined, as visitors explore and our editors follow up on what they find. Content, features, and design are still evolving; use the Report error button on any page to flag something that seems off.

Content

Every artist, album, and release date on Inside the Sleeve is real — verified against trusted sources including MusicBrainz and Wikipedia. We don't invent discographies or fabricate records. AI compiles that verified information into readable prose — essays on artists, albums, and the music itself. We can't manually review every essay before publishing, but every reported error is checked by a human editor.

Inside the Sleeve is not a review site. We're not here to rate or rank — we're here to guide you in. Where an album stands out, we'll say so. Where an artist changed everything, you'll know why. But we won't tear anything down. Jazz history is complex and sources sometimes disagree — if you spot something that seems off, please report it.

Streaming

Inside the Sleeve links to Spotify and Apple Music so you can listen while you read. These are not affiliate links. For Spotify, links open a search on open.spotify.com — we do not have direct links to specific recordings. For Apple Music, direct links are used where available, otherwise a search is opened.

Your choice of streaming service is stored locally in your browser only. It is never sent to our servers.

We're working on deeper Spotify integration, including direct links to specific recordings.

Privacy

Inside the Sleeve does not collect personal data and does not use cookies. We count page visits anonymously using a self-hosted analytics tool — no personal identifiers are stored, and the data never leaves our own server. The only preference stored on your device is your streaming service choice, saved locally in your browser and never transmitted.

When you submit a suggestion or error report, the text you write is stored in our database. No name or email is required or collected unless you choose to provide one.

Third-party services

Spotify and Apple Music are independent services with their own terms of use and privacy policies. Inside the Sleeve is not affiliated with or endorsed by either company.

Support

Inside the Sleeve is free and ad-free. If you enjoy it, a coffee helps cover server costs and keeps the project going.

Amazon

Some book recommendations on Inside the Sleeve link to Amazon. Buying through these links costs you nothing extra — but Amazon pays us a small commission, which goes directly towards keeping the site running. It's a simple way to support the project if you were going to buy the book anyway.

As an Amazon Associate, Inside the Sleeve earns from qualifying purchases.

Questions or feedback? Use the suggestion box on the front page.

Inside the Sleeve — A guide for those who want to go beyond the obvious About & Privacy