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1989 · Album

New Concepts of Artistry in Rhythm

↑ Stan Kenton

Capitol Records
New Concepts of Artistry in Rhythm

Kenton's Laboratory of Orchestral Invention

Bill Russo's compositions pushed the orchestra into territory jazz hadn't seriously explored before.

From the first bars, New Concepts of Artistry in Rhythm feels like walking into a rehearsal where nothing is quite settled. The orchestra is large and restless, full of unexpected instrumental colors—you hear the weight of brass choirs, but also the snap of individual soloists cutting through, conversations between sections that don't resolve the way you'd expect. The tempos shift. The arrangements are lean but never empty. It's orchestral jazz, but not in the swinging big-band sense Kenton's audience might have known. These pieces demand your attention because they're genuinely exploring something.

The album's real strength lies in composer Bill Russo's work. His "Improvisation" piece stands among the highest achievements in orchestral jazz, according to a New York Times writer who reassessed it decades later in 2003. Russo was writing for the orchestra as an instrument itself, not just a backdrop for soloists. There's genuine compositional ambition here—structures that matter, harmonic ideas that weren't obvious. "Invention for Guitar and Trumpet" brings Sal Salvador into the picture with a different kind of spark, more intimate against the larger canvas. The guitarwork feels modern and precise, not decorative.

This is Kenton the serious composer's album, not Kenton the bandleader courting radio play. It sits slightly apart from his more popular work, and it's asking listeners to meet it on its own terms. The Penguin Guide rated it 3.5 out of 4, and that's fair—ambitious and genuinely inventive, even if it doesn't quite cohere into something seamless. Best approached as what it was: an experiment that mostly worked.

Who's playing
Don Bagleybass
George Robertsbass trombone
Stan Kentonpiano
Sal Salvadorguitar
Vinnie Deanalto saxophone
Bob Giogabaritone saxophone
Bill Holmantenor saxophone
Richie Kamucatenor saxophone
Lee Konitzalto saxophone
Conte Candolitrumpet
Buddy Childerstrumpet
Don Dennistrumpet
Maynard Fergusontrumpet
Ruben McFalltrumpet
Bob Fitzpatricktrombone
Keith Moontrombone
Frank Rosolinotrombone
William Russotrombone
Stan Leveydrums
Listen next
By Stan Kenton
A Merry Christmas! 1961
Lee Konitz's own record
Alone Together 1959
Lee Konitz plays alto saxophone here
More Swing
Carnaval 1983
Hank Jones
Recording Info
Track listing
1Prologue (This is an orchestra!)9:59
2Portrait of a Count3:17
3Young Blood3:15
4Frank Speaking3:14
523N-82W3:11
6Taboo3:19
7Lonesome Train2:48
8Invention for Guitar and Trumpet2:55
9My Lady3:20
10Swing House2:56
11Improvisation6:22
12You Go to My Head3:20
Musicians
Further Reading
Read more

Where next?

More by Stan Kenton
A Merry Christmas! 1961
Kenton’s West Side Story 1961
City of Glass 1952
Kenton in Hi-Fi 1956
All 37 albums →
The musicians on this record
Alone Together 1959
Lee Konitz
plays alto saxophone here
Their own records, close in time
More Swing
Carnaval 1983
Hank Jones
Plays Count Basie 1993
Oscar Peterson
Trio 1992
Herb Ellis
In a Mellow Tone 1988
Coleman Hawkins
All 94 Swing artists →

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