Where do you listen?
Choose your streaming service
inside the sleeve
Loading…
inside the sleeveITS
⌕
Read About

♫

Facts
Connections
Read more

Discography

Collaborations

Live on Youtube

Explore Further

Selected connections
1975 · Album

Live At The Montmartre Club - Jazz Exchange Vol. 2

↑ Warne Marsh

Recorded Late 1975 · Storyville (Dutch) · Venue: Jazzhus Montmartre, Copenhagen
Live At The Montmartre Club - Jazz Exchange Vol. 2

Two Tenors Trading in Copenhagen

Marsh and Konitz circle each other like old rivals who've learned to listen.

Late 1975 at Jazzhus Montmartre in Copenhagen: Warne Marsh and Lee Konitz showed up to play together, and what came out was restless, conversational, and occasionally tense in the best way. Both men were saxophonists shaped by cool jazz lineage, but they didn't sound like they were reading from the same sheet. Marsh came in hard and direct; Konitz threaded his lines thin and oblique. The live setting mattered—there's no hiding, no studio cleanup, just two players figuring out in real time whether they could make something work.

What's striking is how little they agree on anything musical. Where Konitz floats over changes, Marsh plants himself and digs in. Their rhythm section holds down the session without calling attention to itself, which is exactly right—these two don't need rescue, they need space to work. The tracks breathe unevenly because that's how improvisation actually moves when neither player is waiting for permission.

This was late in both careers, not a defining moment for either, but it's valuable precisely because it doesn't pretend to be. It's a document of two serious musicians meeting on neutral ground, neither one in command, both willing to be surprised. If you're curious about how jazz sounded when two players with different instincts collided live, this is the thing to hear.

Who's playing
Listen next
By Warne Marsh
Art Pepper With Warne Marsh 1956
More Cool Jazz
On the Corner 1972
Miles Davis
Recording Info
Track listing
1Kary's Theme6:11
2Foolin' Myself5:54
3Sound-Lee8:12
4Two Voice Invention No. 1 Allegro1:12
5Two Not One7:08
6Darn That Dream5:05
7317 East 32nd Street8:19
8Two Voice Invention No. 13 Allegro Tranquillo1:22
9April9:15
10Everything Happens To Me5:06
Musicians
Further Reading
Read more

Where next?

More by Warne Marsh
Art Pepper With Warne Marsh 1956
Music for Prancing 1957
Ballad for You 1985
A Ballad Album 1983
All 31 albums →
More Cool Jazz
On the Corner 1972
Miles Davis
There Comes a Time 1976
Gil Evans
Live at the Berlin Jazz Days 1980 1982
Lee Konitz
Concierto 1975
Jim Hall
All 73 Cool Jazz artists →

More by this artist

Albums with the same musicians

From the same era

Similar artists

inside the sleeve
Growing
Jazz, explained without pretension.
Read · Follow the connections · Press play
Right now: 7,100+ albums · 440+ artists
Start here
New to jazz? These artists are good places to start.
Loading…
Explore
Nine records worth getting lost in.
Born today
Album of the day
A landmark record, every day.
Read
  • Loading…
Article archive →
Recently added
Purpose
Inside the Sleeve is your companion on a journey through jazz — not a textbook, but something closer to a knowledgeable friend sitting next to you while you listen. Read about an artist, press play, follow a connection, discover an album you didn't know you needed.
Suggestions
Read

Articles

Essays, guides, and lists about jazz and the records that matter.

Loading…

Genre

Key Artists
Further Reading

Essential Albums

Related Genres

In This Genre

About

Inside the Sleeve

Work in progress

Inside the Sleeve grows continuously — new artists and albums are added, essays refined, as visitors explore and our editors follow up on what they find. Content, features, and design are still evolving; use the Report error button on any page to flag something that seems off.

Content

Every artist, album, and release date on Inside the Sleeve is real — verified against trusted sources including MusicBrainz and Wikipedia. We don't invent discographies or fabricate records. AI compiles that verified information into readable prose — essays on artists, albums, and the music itself. We can't manually review every essay before publishing, but every reported error is checked by a human editor.

Inside the Sleeve is not a review site. We're not here to rate or rank — we're here to guide you in. Where an album stands out, we'll say so. Where an artist changed everything, you'll know why. But we won't tear anything down. Jazz history is complex and sources sometimes disagree — if you spot something that seems off, please report it.

Streaming

Inside the Sleeve links to Spotify and Apple Music so you can listen while you read. These are not affiliate links. For Spotify, links open a search on open.spotify.com — we do not have direct links to specific recordings. For Apple Music, direct links are used where available, otherwise a search is opened.

Your choice of streaming service is stored locally in your browser only. It is never sent to our servers.

We're working on deeper Spotify integration, including direct links to specific recordings.

Privacy

Inside the Sleeve does not collect personal data and does not use cookies. We count page visits anonymously using a self-hosted analytics tool — no personal identifiers are stored, and the data never leaves our own server. The only preference stored on your device is your streaming service choice, saved locally in your browser and never transmitted.

When you submit a suggestion or error report, the text you write is stored in our database. No name or email is required or collected unless you choose to provide one.

Third-party services

Spotify and Apple Music are independent services with their own terms of use and privacy policies. Inside the Sleeve is not affiliated with or endorsed by either company.

Support

Inside the Sleeve is free and ad-free. If you enjoy it, a coffee helps cover server costs and keeps the project going.

Amazon

Some book recommendations on Inside the Sleeve link to Amazon. Buying through these links costs you nothing extra — but Amazon pays us a small commission, which goes directly towards keeping the site running. It's a simple way to support the project if you were going to buy the book anyway.

As an Amazon Associate, Inside the Sleeve earns from qualifying purchases.

Questions or feedback? Use the suggestion box on the front page.

Inside the Sleeve — A guide for those who want to go beyond the obvious About & Privacy