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1962 · Album

It's Not About The Melody

↑ Betty Carter

Recorded 1962 · ABC-Paramount · Produced by Danny Slapstick Halpern
It's Not About The Melody

Betty Carter Strips Away The Obvious

Carter's voice becomes an instrument that bends around the musicians rather than leading them.

Betty Carter didn't make this record to prove she could sing pretty. By this point in her career, she'd already shown everyone that. Instead, It's Not About The Melody (1962) is about her working out what happens when you stop treating a song like a fixed thing to be interpreted and start treating it like a conversation. The title itself is her saying it out loud: forget what you think the tune should sound like. Listen to what I'm doing with it.

What's immediately striking is how conversational the arrangements are. The musicians aren't playing behind Carter so much as playing alongside her, and she's responding to them in real time. Her phrasing fractures and reassembles itself across bars, sometimes landing ahead of the beat, sometimes behind it, always intentional. Songs get stretched and compressed. She'll abandon a melodic line entirely if something else seems more interesting to explore. It's jazz singing at its most assertive—this isn't interpretation, it's argument and collaboration happening simultaneously.

This record sits somewhere between her earlier work and the more experimental stuff she'd do later. It's not an easy album to live with. Some listeners will find it frustrating, all that refusing to give you the melody straight. But that's the point. Carter's saying the real artistry isn't in hitting the notes everyone expects—it's in what you discover when you stop chasing them. If you're just getting into Carter, start with something more straightforward first. But if you've been listening to her work and wondering where her boldest ideas went, this is the record that answers that question.

Who's playing
Ariel J. Rolandbass
Christian McBridebass
John Hickspiano
Mulgrew Millerpiano
Cyrus Chestnutpiano
Craig Handyguest, tenor saxophone
Jeffrey “Tain” Wattsdrums
Lewis Nashdrums
Clarence Penndrums
Listen next
By Betty Carter
Meet Betty Carter And Ray Bryant 1956
Christian McBride's own record
Gettin' To It 1994
Christian McBride plays bass here
More Vocal Jazz
Waltz for Debby (Monica Zetterlund & Bill Evans) 1964
Monica Zetterlund
Recording Info
Track listing
1Naima's Love Song8:26
2Stay as Sweet as You Are7:11
3Make Him Believe5:10
4I Should Care3:25
5Once Upon a Summertime5:59
6You Go to My Head5:35
7In the Still Of the Night4:08
8When It's Sleepy Time Down South7:46
9The Love We Had Yesterday7:17
10Dip Bag8:56
11You're Mine, Too7:12
Musicians
Further Reading
Read more

Where next?

More by Betty Carter
Meet Betty Carter And Ray Bryant 1956
'Round Midnight 1963
Inside Betty Carter 1964
The Modern Sound Of Betty Carter 1960
All 13 albums →
The musicians on this record
Gettin' To It 1994
Christian McBride
plays bass here
Their own records, close in time
More Vocal Jazz
Waltz for Debby (Monica Zetterlund & Bill Evans) 1964
Monica Zetterlund
Anita O’Day Swings Cole Porter With Billy May 1959
Billy May
Chet Baker Sings 1954
Chet Baker
Wishes You a Swinging Christmas 1960
Ella Fitzgerald
All 75 Vocal Jazz artists →

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