Frank and Count Basie make a stunning combination, arranged by Quincy Jones at peak precision.
It Might as Well Be Swing arrived in 1964 as Sinatra's first time working with Quincy Jones as arranger, a pairing that shaped the entire sound of the record. Jones brought structure and discipline to what could have been a looser jam session between two giants. The result is brassy and upbeat without feeling bloated — the orchestra sits tight behind Sinatra's voice, giving him room to play with the melodies while keeping everything locked into the swing pocket. This wasn't a reunion tour or a casual meeting of legends; it was a carefully constructed set where every arrangement choice served the songs.
The album stands apart from Sinatra's other work with Count Basie because of how deliberate it is. Where Sinatra-Basie (1962) caught them in a more relaxed groove, this one feels tighter, more orchestrated. Tracks like "Can't Stop Loving You" show Sinatra doing what he does best — finding intelligence and restraint in a simple lyric, letting the band swing underneath without fighting him for attention. The Record Mirror reviewer at the time caught something real: this swings all the way through, groove after groove, with nothing wasted.
AllMusic's retrospective assessment ranked it above the earlier Basie collaboration, crediting its structured approach and the way both Sinatra and Basie still manage to play with the melodies and the beat even within that tighter framework. For listeners, this is the stronger entry point if you want to hear Sinatra and Basie together — it's the more purposeful version of what that partnership could sound like.