Williams and his ensemble capture Hancock's essence without chasing his shadow.
When Buster Williams decided to build an album around Herbie Hancock's compositions, he wasn't attempting a comprehensive statement or a critical reassessment. Instead, he assembled a working band—George Colligan on piano, Steve Wilson on saxophone, and Lenny White on drums—and approached these pieces as a working musician might: with clarity and craft, letting each tune breathe on its own terms. This is a sideman's album, made by musicians who know the material from the inside, not a monument or a retrospective claim.
What makes this record worth hearing is its directness. Colligan doesn't imitate Hancock's style; he interprets the harmonic architecture and moves through it with his own touch. Wilson's saxophone work is conversational rather than flashy, and Lenny White's drumming anchors everything with a steady intelligence. Williams, holding down the low end, keeps the ensemble locked and purposeful throughout. There's no pretense here—just musicians respecting a composer by playing his music as if they mean it.
This isn't a record that demands anything special from you. It won't change how you listen to jazz or how you think about Hancock's legacy. But if you find yourself wanting to hear these compositions treated with genuine care by a band that understands them, this delivers exactly that. It's straightforward music made by professionals who know what they're doing.