Where do you listen?
Choose your streaming service
inside the sleeve
Loading…
inside the sleeveITS
⌕
Read About

♫

Facts
Connections
Read more

Discography

Collaborations

Live on Youtube

Explore Further

Selected connections
1968 · Album

Andrew!!!

↑ Andrew Hill

Recorded 1960 · Blue Note Records · Produced by Alfred Lion
Andrew!!!

Spiraling into Andrew Hill's Universe

Andrew Hill refuses to play it safe, building dense piano architectures that feel genuinely unpredictable.

Andrew Hill was always an outlier in jazz piano, and Andrew!!! (1960) announces that fact with zero apology. This is early in his recording career, yet he arrives fully formed—not as a disciple of anyone else, but as someone who heard the same bebop language everyone else did and decided to rebuild it from scratch. The exclamation points in the title aren't hype; they're more like a dare.

What hits you immediately is how busy and angular his piano playing is. Hill piles clusters and dissonant voicings on top of rushing single-note lines, creating this restless energy that makes the music feel like it's constantly folding in on itself. The rhythm section pushes and pulls rather than locks into steady time, which should feel chaotic but instead feels deliberate—like everyone in the room knows something you don't yet. This isn't background music for thinking about other things. It demands your attention because the conversations happening between the instruments are genuinely strange and rewarding.

This record matters because it's Hill doing Hill before anyone else decided what a pianist should sound like or what his music was supposed to accomplish. Compared to his later work, this has a rawer, more exploratory quality—less polished but more dangerous. If you're coming to Hill's music for the first time, you might want to start here, though be warned that his music never becomes simple or comfortable. This is a pianist who believed jazz could be difficult and beautiful at the same time, and Andrew!!! (1960) is where he proves it.

Who's playing
Richard Davisdouble bass
Andrew Hillpiano
John Gilmoretenor saxophone
Joe Chambersdrums
Bobby Hutchersonvibraphone
Listen next
By Andrew Hill
Black Fire 1964
Bobby Hutcherson's own record
Dialogue 1965
Bobby Hutcherson plays vibraphone here
More Post-Bop
Empyrean Isles 1964
Herbie Hancock
Recording Info
Track listing
1The Groits6:00
2Black Monday8:50
3Duplicity6:05
4Le Serpent Qui Danse6:50
5No Doubt4:20
6Symmetry7:10
Musicians
Further Reading
Read more

Where next?

More by Andrew Hill
Black Fire 1964
Point of Departure 1965
Compulsion 1967
Dance With Death 1960
All 13 albums →
The musicians on this record
Dialogue 1965
Bobby Hutcherson
plays vibraphone here
♫
The Almoravid 1974
Joe Chambers
plays drums (drum set) here
Their own records, close in time
More Post-Bop
Empyrean Isles 1964
Herbie Hancock
At the Five Spot, Volume 1 1961
Booker Little
Inception 1962
McCoy Tyner
Third Season 1967
Hank Mobley
All 235 Post-Bop artists →

More by this artist

Albums with the same musicians

From the same era

Similar artists

inside the sleeve
Growing
Jazz, explained without pretension.
Read · Follow the connections · Press play
Right now: 7,100+ albums · 440+ artists
Start here
New to jazz? These artists are good places to start.
Loading…
Explore
Nine records worth getting lost in.
Born today
Album of the day
A landmark record, every day.
Read
  • Loading…
Article archive →
Recently added
Purpose
Inside the Sleeve is your companion on a journey through jazz — not a textbook, but something closer to a knowledgeable friend sitting next to you while you listen. Read about an artist, press play, follow a connection, discover an album you didn't know you needed.
Suggestions
Read

Articles

Essays, guides, and lists about jazz and the records that matter.

Loading…

Genre

Key Artists
Further Reading

Essential Albums

Related Genres

In This Genre

About

Inside the Sleeve

Work in progress

Inside the Sleeve grows continuously — new artists and albums are added, essays refined, as visitors explore and our editors follow up on what they find. Content, features, and design are still evolving; use the Report error button on any page to flag something that seems off.

Content

Every artist, album, and release date on Inside the Sleeve is real — verified against trusted sources including MusicBrainz and Wikipedia. We don't invent discographies or fabricate records. AI compiles that verified information into readable prose — essays on artists, albums, and the music itself. We can't manually review every essay before publishing, but every reported error is checked by a human editor.

Inside the Sleeve is not a review site. We're not here to rate or rank — we're here to guide you in. Where an album stands out, we'll say so. Where an artist changed everything, you'll know why. But we won't tear anything down. Jazz history is complex and sources sometimes disagree — if you spot something that seems off, please report it.

Streaming

Inside the Sleeve links to Spotify and Apple Music so you can listen while you read. These are not affiliate links. For Spotify, links open a search on open.spotify.com — we do not have direct links to specific recordings. For Apple Music, direct links are used where available, otherwise a search is opened.

Your choice of streaming service is stored locally in your browser only. It is never sent to our servers.

We're working on deeper Spotify integration, including direct links to specific recordings.

Privacy

Inside the Sleeve does not collect personal data and does not use cookies. We count page visits anonymously using a self-hosted analytics tool — no personal identifiers are stored, and the data never leaves our own server. The only preference stored on your device is your streaming service choice, saved locally in your browser and never transmitted.

When you submit a suggestion or error report, the text you write is stored in our database. No name or email is required or collected unless you choose to provide one.

Third-party services

Spotify and Apple Music are independent services with their own terms of use and privacy policies. Inside the Sleeve is not affiliated with or endorsed by either company.

Support

Inside the Sleeve is free and ad-free. If you enjoy it, a coffee helps cover server costs and keeps the project going.

Amazon

Some book recommendations on Inside the Sleeve link to Amazon. Buying through these links costs you nothing extra — but Amazon pays us a small commission, which goes directly towards keeping the site running. It's a simple way to support the project if you were going to buy the book anyway.

As an Amazon Associate, Inside the Sleeve earns from qualifying purchases.

Questions or feedback? Use the suggestion box on the front page.

Inside the Sleeve — A guide for those who want to go beyond the obvious About & Privacy