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1989 · Album

Supertrios

↑ McCoy Tyner

Impulse!
Supertrios

Three Pianos, One Vision

Tyner's three-piano concept creates a conversation between voices, not a competition for space.

Supertrios is exactly what it sounds like: McCoy Tyner playing with two other pianists at once. Not as a gimmick, but as a genuine exploration of what happens when you put three strong voices at the same instrument. The concept could've been a novelty. Instead, it's surprisingly musical and reveals something about how Tyner thinks about harmony and space. Rather than stepping all over each other, the three pianos establish different registers and textures. One might lay down dense chords while another moves melodically, and the third creates rhythmic momentum. It's orchestral thinking applied to a simple setup.

What makes this work is that Tyner never loses control of the sound. You're hearing three pianists, yes, but they're listening to each other and responding accordingly. The record doesn't feel crowded or competitive. Instead it feels like watching someone explain an idea from three angles at once. The arrangements are inventive without being showy, and there's real swing underneath everything. Some tracks are more experimental than others, but even the exploratory moments have a clear purpose. This isn't Tyner trying to prove something about technique or innovation. It's him working through a musical idea methodically.

This record sits in the middle of Tyner's career, and while it's not his most essential work, it's the kind of album that rewards close listening. If you already know his solo recordings or his work with John Coltrane, Supertrios offers something different without abandoning what makes his playing distinctive. It's not the place to start if you're new to Tyner, but once you understand his approach to harmony and time, this experiment makes real sense. It's a solid, thinking musician's project that actually succeeds at what it sets out to do.

Who's playing
Ron Carterdouble bass
McCoy Tynerpiano
Tony Williamsdrums
Listen next
By McCoy Tyner
The Real McCoy 1967
Ron Carter's own record
Where? 1961
Ron Carter plays double bass here
More Modal Jazz
Doo-Bop 1992
Miles Davis
Recording Info
Track listing
1Wave7:29
2Blues on the Corner6:32
3I Mean You5:25
4The Greeting7:58
5Prelude to a Kiss4:38
6Moment's Notice5:53
7Hymn-Song2:59
8Consensus9:36
9Four by Five5:33
10Stella by Starlight8:06
11Lush Life6:27
12Blues for Ball4:55
Musicians
Further Reading
Read more

Where next?

More by McCoy Tyner
The Real McCoy 1967
Nights of Ballads & Blues 1963
Sahara 1972
Inception 1962
All 14 albums →
The musicians on this record
Where? 1961
Ron Carter
plays double bass here
Civilization 1987
Tony Williams
plays drums (drum set) here
Their own records, close in time
More Modal Jazz
Doo-Bop 1992
Miles Davis
You Must Believe in Spring 1981
Bill Evans
Time Speaks 1983
Woody Shaw
Joy Ryder 1988
Wayne Shorter
All 42 Modal Jazz artists →

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