Garrett's saxophone gives Live & More its cutting edge, transforming solid funk-fusion into something sharp and unpredictable.
Kenny Garrett's presence on Live & More (1997) is what separates this record from routine live documentation. While Marcus Miller leads and anchors everything with his bass, it's Garrett's saxophone that cuts through, asking questions instead of stating answers. Miller's live albums can drift toward the polished and predictable — tight grooves, clean arrangements, everything locked in place. Garrett won't allow that. He plays with an edge throughout, pulling the band toward something less comfortable, more alive.
This is Miller in his established period, a bassist and bandleader working in the contemporary jazz marketplace. Live & More charted respectfully — No. 6 on the Billboard Contemporary Jazz Albums chart and No. 8 on the Jazz Albums chart — which tells you the record connected with the right audience without breaking through to anything larger. The band itself is solid: Charles "Poogie" Bell on drums keeps things grounded, while Morris Pleasure and Bernard Wright handle keyboard duties with appropriate restraint. Michael "Patches" Stewart on trumpet adds texture without overwhelming. But Garrett is the variable energy here, the voice that prevents the session from settling into comfortable competence.
If you know Miller's studio work, Live & More doesn't reinvent anything. It's a professional capture of what his working band sounded like in real time — which has value, but limited shelf life. The album matters most to people already invested in Miller's catalog, not to newcomers. Start with his stronger studio albums first. Come back to this one if you want to hear how these songs breathed in front of an audience, and specifically to hear what Garrett brought to that conversation.