A full orchestra playing standards with Evans leading — big, colorful, and unhurried.
Great Jazz Standards arrives as exactly what its title promises: Gil Evans arranging and conducting a full orchestra through a set of American popular songs, and the sound is spacious and deliberate. This is not a small group snapping through tunes. Strings breathe, brass enters in blocks, Steve Lacy floats his soprano saxophone over the whole thing, and the rhythm section holds steady beneath it all. Evans crowds the page with orchestration — tuba, French horns, multiple saxes and trumpets — but never stacks it into noise. Each voice has room.
Recorded in 1959, this sits comfortably among Evans's large-ensemble work from the period, though it has less of the modernist edge or compositional risk of his best pieces. The standards here — songs like "These Foolish Things" and "Softly, As in a Morning Sunrise" — are treated with respect and a little weight, not as vehicles for bebop reimagining. Evans keeps the tempos unhurried and lets the orchestration do the talking. Soloists like Johnny Coles on trumpet and Curtis Fuller on trombone get space to breathe, but this is fundamentally arranged music, not a blowing session.
Allmusic reviewer Scott Yanow gave it four stars and called it "Highly recommended," which fits: this is solid Evans orchestral writing from a seasoned hand. It's not the album to start with if you want to hear Evans push boundaries, but for listeners who already know his sound and want a straightforward, well-crafted large-band treatment of the songbook, it delivers exactly that.