Plain Pat's mixing lets Tony Williams sound like he's playing in your living room, unfiltered and real.
Tony Williams was a drummer who could make you listen differently to what drums actually do in jazz. This mixtape, mixed by Plain Pat, strips away any pretense—you're getting Williams at his most direct, without the polish that sometimes comes with official releases. Plain Pat's approach here treats the recordings like raw material to be shaped, emphasizing the snap and immediacy of what's happening rather than smoothing it into something palatably slick. The result is that you hear the conversations happening between musicians with unusual clarity. Tracks reveal Williams doing what he did best: listening hard to everyone else while playing in a way that makes them play better.
What makes this different from the standard Tony Williams catalog is the mixing sensibility itself. Plain Pat understood that sometimes a drummer's power comes not from being loud but from being precise in the mix—letting cymbal work breathe, letting the kick sit exactly where it needs to sit. This isn't Williams trying to be a bandleader imposing vision; it's Williams as a collaborator, responding in real time. The mixtape feels like documentation of that responsiveness rather than a statement.
If you know Williams from his more celebrated sessions, this sits to the side—not a peak you need to reach first, but something that makes sense once you understand what drew people to his playing. It's for people curious enough to want to hear what the drummer heard, basically. There's no pretense here, no attempt to make drums sound like they're doing something they're not. It's honest work, which in jazz usually means it's worth your attention.