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1959 · Album

Body and Soul

↑ Coleman Hawkins

Recorded 1939–1956 · Prestige · Produced by Unconfirmed — detail omitted
Body and Soul

Seventeen Years, One Song, Everything Changed

The 1939 'Body and Soul' is three minutes that rewired what jazz saxophone could be.

The whole reason this album exists is that one recording. On October 11, 1939, Coleman Hawkins walked into a New York studio and cut 'Body and Soul' in a single take — or close to it — and almost immediately it became the most talked-about tenor saxophone performance anyone had heard. What makes it so striking, even now, is how little of the original melody he actually plays. He barely nods at the tune and then just improvises, almost entirely on the chord changes, for two choruses. In 1939, that was genuinely unusual. It pointed toward bebop before bebop had a name. It sold well, which surprised everyone, because it was harmonically advanced stuff for a mainstream audience.

The album collects that 1939 session alongside recordings made through 1956, including a second version of the title track cut seventeen years later. Comparing the two 'Body and Soul' performances is genuinely interesting — not because one is better, but because you can hear how Hawkins had changed and how much he hadn't. The later version is looser, a little more relaxed, and he's working with different rhythm section support. He never stopped being himself, which is either consistency or stubbornness depending on how you look at it.

The surrounding tracks flesh out a portrait of Hawkins across a fairly long stretch of his career. He was a big-toned, harmonically sophisticated player who came up in the swing era but never got stranded there. If you're new to him, the 1939 'Body and Soul' is the place to start — it's genuinely one of those recordings where you can understand immediately why people made such a fuss. The rest of the album is solid, interesting context rather than a parade of equal highlights.

Who's playing
William Oscar Smithdouble bass
Johnny Williamsdouble bass
Gene Rodgerspiano
Lawrence Lucieguitar
Jackie Fieldsalto saxophone
Coleman Hawkinstenor saxophone
Eustis Moorealto saxophone
Joe Guytrumpet
Tommy Lindsaytrumpet
Benny Cartertrumpet
Earl Hardytrombone
J.C. Higginbothamtrombone
Arthur Herbertdrums
Walter Johnsondrums
Danny Poloclarinet
Listen next
By Coleman Hawkins
Duke Ellington Meets Coleman Hawkins 1963
More Swing
After Midnight 1956
Nat King Cole
Recording Info
Track listing
1Meet Doctor Foo2:37
2Fine Dinner2:36
3She’s Funny That Way3:17
4Body and Soul3:03
5When Day Is Done3:18
6The Sheik of Araby2:57
7My Blue Heaven2:54
8Bouncing With Bean3:08
9April in Paris3:11
10How Strange3:06
11Half Step Down Please3:05
12Angel Face3:14
13Jumping for Jane3:13
14I Love You2:54
15There Will Never Be Another You2:58
16Little Girl Blue3:07
17Dinner for One Please James3:14
18His Very Own Blues3:03
1939″‐25″‐39″2:49
20The Bean Stalks Again3:29
21Have You Met Miss Jones?3:07
22Body and Soul4:55
23The Essence of You3:26
Musicians
Further Reading
Read more

Where next?

More by Coleman Hawkins
Duke Ellington Meets Coleman Hawkins 1963
♫
The Hawk Flies High 1957
Coleman Hawkins and Confrères
The Hawk Relaxes 1961
All 43 albums →
More Swing
After Midnight 1956
Nat King Cole
Big Swing Face 1967
Buddy Rich
Wishes You a Swinging Christmas 1960
Ella Fitzgerald
Songs for Swingin’ Lovers! 1956
Frank Sinatra
All 94 Swing artists →

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