Where do you listen?
Choose your streaming service
inside the sleeve
Loading…
inside the sleeveITS
⌕
Read About

♫

Facts
Connections
Read more

Discography

Collaborations

Live on Youtube

Explore Further

Selected connections
1978 · Album

Tudo Bem!

↑ Joe Pass

Released: 1978 · Artist: Joe Pass and Paulinho da Costa · Genre: Jazz
Tudo Bem!

Pass and da Costa Find Their Groove

Pass plays warm solos on Brazilian tunes, melodic and infectious throughout.

By 1978, Joe Pass had already spent years proving himself as one of jazz's most versatile and technically skilled guitarists. Tudo Bem! represents him in a relaxed, collaborative mode — paired with percussionist Paulinho da Costa on a program of Brazilian material. This is not Pass reinventing himself or chasing trends. It's Pass doing what he'd become comfortable doing: landing in a session, reading the room, and playing beautiful, unhurried lines over good songs.

The repertoire leans on standards and established favorites — three pieces by Antônio Carlos Jobim including "Corcovado" and "Wave", Deodato's "Tears", and Luiz Bonfa's "The Gentle Rain". AllMusic reviewer Scott Yanow described the record as melodic and infectious, and that's accurate. Pass doesn't try to dominate these tracks or stamp them with his own voice. Instead, he listens to the material and finds the warm, conversational solos that fit. There's no flash here, no attempt to dazzle. The album sits comfortably in the middle of his discography — solid, professional, the kind of record that works best when you're not paying close attention, but rewards it if you are.

This is not the place to start with Pass if you want to hear what makes him essential — that would be elsewhere in his catalog. But Tudo Bem! matters for what it reveals about his approach: his ability to serve a song rather than himself, and his willingness to share space with a collaborator like da Costa. It's a working musician's record, made by musicians who'd learned how to make music together sound effortless.

Who's playing
Oscar Castro‐Nevesguitar
Joe Passguitar
Paulinho da Costapercussion
Don Grusinkeyboard
Claudio Slonmembranophone
Octavio Bailly Jr.performer
Listen next
By Joe Pass
Virtuoso 1974
More Bebop
Hello Herbie 1970
Herb Ellis
Recording Info
Track listing
1Corcovado6:22
2Tears (Razao de Viver)3:34
3Wave9:08
4Voce (You)3:13
5If You Went Away3:09
6Que Que Ha?6:59
7The Gentle Rain4:16
8Barquinho6:10
9Luciana4:58
10I Live to Love3:20
Musicians
Further Reading
Read more

Where next?

More by Joe Pass
Virtuoso 1974
Take Love Easy 1974
Intercontinental 1970
The Trio 1974
All 41 albums →
More Bebop
Hello Herbie 1970
Herb Ellis
Free Ride 1977
Dizzy Gillespie
The Drum Sessions 1975
Shelly Manne
Today's Man 1973
Charles McPherson
All 90 Bebop artists →

More by this artist

Albums with the same musicians

From the same era

Similar artists

inside the sleeve
Growing
Jazz, explained without pretension.
Read · Follow the connections · Press play
Right now: 7,100+ albums · 440+ artists
Start here
New to jazz? These artists are good places to start.
Loading…
Explore
Nine records worth getting lost in.
Born today
Album of the day
A landmark record, every day.
Read
  • Loading…
Article archive →
Recently added
Purpose
Inside the Sleeve is your companion on a journey through jazz — not a textbook, but something closer to a knowledgeable friend sitting next to you while you listen. Read about an artist, press play, follow a connection, discover an album you didn't know you needed.
Suggestions
Read

Articles

Essays, guides, and lists about jazz and the records that matter.

Loading…

Genre

Key Artists
Further Reading

Essential Albums

Related Genres

In This Genre

About

Inside the Sleeve

Work in progress

Inside the Sleeve grows continuously — new artists and albums are added, essays refined, as visitors explore and our editors follow up on what they find. Content, features, and design are still evolving; use the Report error button on any page to flag something that seems off.

Content

Every artist, album, and release date on Inside the Sleeve is real — verified against trusted sources including MusicBrainz and Wikipedia. We don't invent discographies or fabricate records. AI compiles that verified information into readable prose — essays on artists, albums, and the music itself. We can't manually review every essay before publishing, but every reported error is checked by a human editor.

Inside the Sleeve is not a review site. We're not here to rate or rank — we're here to guide you in. Where an album stands out, we'll say so. Where an artist changed everything, you'll know why. But we won't tear anything down. Jazz history is complex and sources sometimes disagree — if you spot something that seems off, please report it.

Streaming

Inside the Sleeve links to Spotify and Apple Music so you can listen while you read. These are not affiliate links. For Spotify, links open a search on open.spotify.com — we do not have direct links to specific recordings. For Apple Music, direct links are used where available, otherwise a search is opened.

Your choice of streaming service is stored locally in your browser only. It is never sent to our servers.

We're working on deeper Spotify integration, including direct links to specific recordings.

Privacy

Inside the Sleeve does not collect personal data and does not use cookies. We count page visits anonymously using a self-hosted analytics tool — no personal identifiers are stored, and the data never leaves our own server. The only preference stored on your device is your streaming service choice, saved locally in your browser and never transmitted.

When you submit a suggestion or error report, the text you write is stored in our database. No name or email is required or collected unless you choose to provide one.

Third-party services

Spotify and Apple Music are independent services with their own terms of use and privacy policies. Inside the Sleeve is not affiliated with or endorsed by either company.

Support

Inside the Sleeve is free and ad-free. If you enjoy it, a coffee helps cover server costs and keeps the project going.

Amazon

Some book recommendations on Inside the Sleeve link to Amazon. Buying through these links costs you nothing extra — but Amazon pays us a small commission, which goes directly towards keeping the site running. It's a simple way to support the project if you were going to buy the book anyway.

As an Amazon Associate, Inside the Sleeve earns from qualifying purchases.

Questions or feedback? Use the suggestion box on the front page.

Inside the Sleeve — A guide for those who want to go beyond the obvious About & Privacy