Where do you listen?
Choose your streaming service
inside the sleeve
Loading…
inside the sleeveITS
⌕
Read About

♫

Facts
Connections
Read more

Discography

Collaborations

Live on Youtube

Explore Further

Selected connections
1972 · Album

The Great American Songbook

↑ Carmen McRae

Recorded 1972 (live) · Personnel: Carmen McRae (vocals), Jimmy Rowles (piano), Joe Pass (guitar), jazz quartet
The Great American Songbook

A Live Moment with the Right Players

McRae sounds quite enthusiastic about both her accompaniment and the strong repertoire she's working with.

Carmen McRae came to this 1972 session with a clear sense of what she wanted: the right musicians in a live setting, no overdubs, no second takes to hide behind. Jimmy Rowles was her first choice on piano—she admired him enough to write in the liner notes that he was "the guy every girl singer in her right mind would like to work with." Joe Pass on guitar completed a tight, responsive rhythm section that could follow her choices and anticipate her phrasing. A live, spontaneous jazz set was still unusual in 1972, even for an established artist. Most singers of her generation were used to studio work where you could patch things together. But McRae wanted the energy of a real performance, the kind where mistakes stay in the tape and everyone has to commit.

What's striking about the album is how relaxed it feels. AllMusic reviewer Scott Yanow noted that McRae "had what was at the time a rare opportunity to record a live, spontaneous, jazz-oriented set," and you can hear her leaning into that freedom. The repertoire—classic American songs—gave her room to shape interpretations without the pressure of newer material. Rowles even brought his humorous country and western song "The Ballad of Thelonious Monk" into the set, which says something about the spirit in the room: playful, confident, willing to take risks.

Billboard called it a "sensational performance," and the praise meant something because live albums by singers weren't automatically celebrated. Years later, Diana Krall would say she wished she'd been in that room, remembering it as a time when jazz singers approached the music through how they phrased and interpreted, not by whether they could scat or hit technical marks. That's what this album documents—a working session where McRae and her accompanists understood each other well enough to let the songs breathe.

Who's playing
Chuck Domanicodouble bass
Jimmy Rowlespiano
Joe Passguitar
Chuck Floresmembranophone
Listen next
By Carmen McRae
Live at Bubba's 1988
Joe Pass's own record
Virtuoso 1974
Joe Pass plays guitar here
More Bebop
Hello Herbie 1970
Herb Ellis
Recording Info
Track listing
1Satin Doll4:35
2At Long Last Love2:27
3If the Moon Turns Green4:23
4Day by Day2:23
5What Are You Doing the Rest of Your Life4:15
6I Only Have Eyes for You4:13
7Medley: Easy Living / The Days of Wine and Roses / It’s Impossible9:15
8Sunday4:11
9A Song for You4:46
10I Cried for You2:21
11Behind the Face2:44
12The Ballad of Thelonius Monk3:30
13There’s No Such Thing as Love5:01
14They Long to Be Close to You4:38
15Three Little Words1:59
16Mr. Ugly4:00
17It’s Like Reaching for the Moon2:53
18I Thought About You3:55
Musicians
Further Reading
Read more

Where next?

More by Carmen McRae
Live at Bubba's 1988
By Special Request 1956
♫
Take Five at Basin Street East 1961
Carmen Sings Monk 1990
All 44 albums →
The musicians on this record
Virtuoso 1974
Joe Pass
plays guitar here
♫
"If I'm Lucky" 1977
Jimmy Rowles
plays piano here
Their own records, close in time
More Bebop
Hello Herbie 1970
Herb Ellis
Wrapped Tight 1965
Coleman Hawkins
Free Ride 1977
Dizzy Gillespie
Magnificent! 1969
Barry Harris
All 90 Bebop artists →

More by this artist

Albums with the same musicians

From the same era

Similar artists

inside the sleeve
Growing
Jazz, explained without pretension.
Read · Follow the connections · Press play
Right now: 7,100+ albums · 440+ artists
Start here
New to jazz? These artists are good places to start.
Loading…
Explore
Nine records worth getting lost in.
Born today
Album of the day
A landmark record, every day.
Read
  • Loading…
Article archive →
Recently added
Purpose
Inside the Sleeve is your companion on a journey through jazz — not a textbook, but something closer to a knowledgeable friend sitting next to you while you listen. Read about an artist, press play, follow a connection, discover an album you didn't know you needed.
Suggestions
Read

Articles

Essays, guides, and lists about jazz and the records that matter.

Loading…

Genre

Key Artists
Further Reading

Essential Albums

Related Genres

In This Genre

About

Inside the Sleeve

Work in progress

Inside the Sleeve grows continuously — new artists and albums are added, essays refined, as visitors explore and our editors follow up on what they find. Content, features, and design are still evolving; use the Report error button on any page to flag something that seems off.

Content

Every artist, album, and release date on Inside the Sleeve is real — verified against trusted sources including MusicBrainz and Wikipedia. We don't invent discographies or fabricate records. AI compiles that verified information into readable prose — essays on artists, albums, and the music itself. We can't manually review every essay before publishing, but every reported error is checked by a human editor.

Inside the Sleeve is not a review site. We're not here to rate or rank — we're here to guide you in. Where an album stands out, we'll say so. Where an artist changed everything, you'll know why. But we won't tear anything down. Jazz history is complex and sources sometimes disagree — if you spot something that seems off, please report it.

Streaming

Inside the Sleeve links to Spotify and Apple Music so you can listen while you read. These are not affiliate links. For Spotify, links open a search on open.spotify.com — we do not have direct links to specific recordings. For Apple Music, direct links are used where available, otherwise a search is opened.

Your choice of streaming service is stored locally in your browser only. It is never sent to our servers.

We're working on deeper Spotify integration, including direct links to specific recordings.

Privacy

Inside the Sleeve does not collect personal data and does not use cookies. We count page visits anonymously using a self-hosted analytics tool — no personal identifiers are stored, and the data never leaves our own server. The only preference stored on your device is your streaming service choice, saved locally in your browser and never transmitted.

When you submit a suggestion or error report, the text you write is stored in our database. No name or email is required or collected unless you choose to provide one.

Third-party services

Spotify and Apple Music are independent services with their own terms of use and privacy policies. Inside the Sleeve is not affiliated with or endorsed by either company.

Support

Inside the Sleeve is free and ad-free. If you enjoy it, a coffee helps cover server costs and keeps the project going.

Amazon

Some book recommendations on Inside the Sleeve link to Amazon. Buying through these links costs you nothing extra — but Amazon pays us a small commission, which goes directly towards keeping the site running. It's a simple way to support the project if you were going to buy the book anyway.

As an Amazon Associate, Inside the Sleeve earns from qualifying purchases.

Questions or feedback? Use the suggestion box on the front page.

Inside the Sleeve — A guide for those who want to go beyond the obvious About & Privacy