Where do you listen?
Choose your streaming service
inside the sleeve
Loading…
inside the sleeveITS
⌕
Read About

♫

Facts
Connections
Read more

Discography

Collaborations

Live on Youtube

Explore Further

Selected connections
1975 · Album

Six Million Dollar Man

↑ Richard Groove Holmes

Recorded 1975 · Flying Dutchman · Produced by Oliver Nelson (arranger and conductor)
Six Million Dollar Man

Groove Holmes Swings the Small Screen

Holmes trades his church-born intensity for straight-ahead funk and soul-jazz orchestration.

Six Million Dollar Man arrived in 1975 as a straightforward organ-funk record built on television theme material. It was not a critical sensation — Flying Dutchman releases at this point were more commercial than cutting-edge, and the album's tie to pop culture gave it an easy-listening veneer that jazz listeners typically avoided. But the real work here is Oliver Nelson's arrangement and conducting. This is not Hammond B3 soul-jazz in the traditional sense. Holmes plays lighter, more rhythmic lines over a large ensemble that includes horn sections, strings of saxophones and trombones, and a rhythm section that locks hard. Tom Scott on tenor and David T. Walker on guitar push the harmonic sophistication; the drums cycle between Jim Gordon and Shelly Manne, both masters of pocket playing. Tracks move between theme-song curiosities and extended soul-funk grooves where Holmes's organ becomes a textural voice rather than the lead voice.

The appeal is almost accidental — a session album that turns into something genuinely listenable because Nelson knew how to write for a big band without drowning the soloists. It is not a peak Holmes record, and it trades the gospelly urgency of his earlier work for a cooler, more arranged aesthetic. But if you want to hear what late-1970s Flying Dutchman jazz sounded like when the label still had serious arrangers and studio money, this is efficient proof. The album sank fast and never built a cult reputation. It remains peripheral, buried under Holmes's more canonical recordings.

Who's playing
Chuck Raineybass
Chuck Domanicobass
Mike Woffordelectric piano, piano
David T. Walkerguitar
Tom Scotttenor saxophone
Oscar Brasheartrumpet
Bobby Bryanttrumpet
Chuck Findleytrumpet
Garnett Browntrombone
Maurice Spearstrombone
Lloyd Ulyatetrombone
Richard “Groove” Holmesorgan
Jim Gordondrums
Shelly Mannedrums
Mayuto Correapercussion
Larry Bunkerpercussion
Gene Ciprianowoodwind
Jack Nimitzwoodwind
Jerome Richardsonwoodwind
Bud Shankwoodwind
Listen next
By Richard Groove Holmes
Soul Message 1965
Shelly Manne's own record
The Drum Sessions 1975
Shelly Manne plays drums (drum set) here
More Soul Jazz
Say It Loud 1969
Lou Donaldson
Recording Info
Track listing
1Disc-O-Mite5:20
2Salsa de Alma5:20
3Once Is Not Enough3:26
4Dumpy Mama4:45
5Six Million Dollar Man5:54
6Double Scale4:11
7125th St. and 7th Ave.3:37
8Mama's Groove7:06
Musicians
Further Reading
Read more

Where next?

More by Richard Groove Holmes
Soul Message 1965
Night Glider 1973
Living Soul 1966
Groovin' With Jug 1961
All 34 albums →
The musicians on this record
The Drum Sessions 1975
Shelly Manne
plays drums (drum set) here
born again 1962
Chuck Rainey
plays bass here
Their own records, close in time
More Soul Jazz
Say It Loud 1969
Lou Donaldson
Alive! 1970
Grant Green
Root Down 1972
Jimmy Smith
Single Action 1980
Pat Martino
All 101 Soul Jazz artists →

More by this artist

Albums with the same musicians

From the same era

Similar artists

inside the sleeve
Growing
Jazz, explained without pretension.
Read · Follow the connections · Press play
Right now: 7,100+ albums · 440+ artists
Start here
New to jazz? These artists are good places to start.
Loading…
Explore
Nine records worth getting lost in.
Born today
Album of the day
A landmark record, every day.
Read
  • Loading…
Article archive →
Recently added
Purpose
Inside the Sleeve is your companion on a journey through jazz — not a textbook, but something closer to a knowledgeable friend sitting next to you while you listen. Read about an artist, press play, follow a connection, discover an album you didn't know you needed.
Suggestions
Read

Articles

Essays, guides, and lists about jazz and the records that matter.

Loading…

Genre

Key Artists
Further Reading

Essential Albums

Related Genres

In This Genre

About

Inside the Sleeve

Work in progress

Inside the Sleeve grows continuously — new artists and albums are added, essays refined, as visitors explore and our editors follow up on what they find. Content, features, and design are still evolving; use the Report error button on any page to flag something that seems off.

Content

Every artist, album, and release date on Inside the Sleeve is real — verified against trusted sources including MusicBrainz and Wikipedia. We don't invent discographies or fabricate records. AI compiles that verified information into readable prose — essays on artists, albums, and the music itself. We can't manually review every essay before publishing, but every reported error is checked by a human editor.

Inside the Sleeve is not a review site. We're not here to rate or rank — we're here to guide you in. Where an album stands out, we'll say so. Where an artist changed everything, you'll know why. But we won't tear anything down. Jazz history is complex and sources sometimes disagree — if you spot something that seems off, please report it.

Streaming

Inside the Sleeve links to Spotify and Apple Music so you can listen while you read. These are not affiliate links. For Spotify, links open a search on open.spotify.com — we do not have direct links to specific recordings. For Apple Music, direct links are used where available, otherwise a search is opened.

Your choice of streaming service is stored locally in your browser only. It is never sent to our servers.

We're working on deeper Spotify integration, including direct links to specific recordings.

Privacy

Inside the Sleeve does not collect personal data and does not use cookies. We count page visits anonymously using a self-hosted analytics tool — no personal identifiers are stored, and the data never leaves our own server. The only preference stored on your device is your streaming service choice, saved locally in your browser and never transmitted.

When you submit a suggestion or error report, the text you write is stored in our database. No name or email is required or collected unless you choose to provide one.

Third-party services

Spotify and Apple Music are independent services with their own terms of use and privacy policies. Inside the Sleeve is not affiliated with or endorsed by either company.

Support

Inside the Sleeve is free and ad-free. If you enjoy it, a coffee helps cover server costs and keeps the project going.

Amazon

Some book recommendations on Inside the Sleeve link to Amazon. Buying through these links costs you nothing extra — but Amazon pays us a small commission, which goes directly towards keeping the site running. It's a simple way to support the project if you were going to buy the book anyway.

As an Amazon Associate, Inside the Sleeve earns from qualifying purchases.

Questions or feedback? Use the suggestion box on the front page.

Inside the Sleeve — A guide for those who want to go beyond the obvious About & Privacy