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1967 · Album

On Broadway Vol. 4 Or The Paradox Of Continuity

↑ Paul Motian

Recorded 1966-1967 · Jaro Recordings · Produced by Paul Motian
On Broadway Vol. 4 Or The Paradox Of Continuity

When the Street Becomes a Conversation

Motian keeps returning to Broadway because the songs themselves are never finished conversations.

By this point in his career, Paul Motian had established himself as a drummer willing to listen rather than push, to shape space rather than fill it. On Broadway Vol. 4 Or The Paradox Of Continuity continues his fascination with the American songbook, specifically the standards that shaped mid-century jazz. The title itself hints at what's happening here: these are songs everyone knows, yet Motian keeps finding new angles, new reasons to play them again. The "paradox of continuity" isn't some abstract concept—it's the practical question of how you keep something alive by returning to it.

What makes this volume distinct is how casual it all sounds. There's no striving for reinterpretation or jazz mythology-building. Motian and his group simply play these tunes the way musicians do when they're in the room together and something needs exploring. The tempos breathe. The melodies get space to exist without being either sacred or disposable. If you've heard other Motian records, you know he's always been more interested in what happens between the notes than in the notes themselves. Here, that sensibility extends to song selection—he picks standards that most players have already worn smooth, then refuses to polish them further. Instead, he lets them get a little dusty, a little more human.

This is a record for listeners who understand that not every session needs to be a revelation. Sometimes the point is simply to sit with good songs and good musicians and see what an afternoon produces. It's not his most celebrated work, but it's an honest one. If you're already deep into Motian's catalog, this fits naturally into the arc of his thinking about rhythm, composition, and conversation. For newcomers, you might find more obvious entry points elsewhere, but there's nothing here that would steer you wrong.

Who's playing
Larry Grenadierdouble bass
菊地雅章piano
Chris Pottersaxophone
Paul Motiandrums
Listen next
By Paul Motian
Etudes 1988
Chris Potter's own record
Song for Anyone 2007
Chris Potter plays saxophone here
More Free Jazz
Tauhid 1967
Pharoah Sanders
Recording Info
Track listing
1The Last Dance5:14
2Tea for Two4:08
3In a Shanty in Old Shanty Town3:08
4Never Let Me Go7:08
5Never Let Me Go4:58
6Folks Who Live on the Hill4:56
7Everything Happens to Me3:58
8Last Night When We Were Young8:06
9Born to Be Blue5:38
10Brother Can You Spare a Dime2:46
11I Loves You Porgy8:11
12You're Getting to Be a Habit With Me3:54
13How Long Has This Been Going On4:04
Musicians
Further Reading
Read more

Where next?

More by Paul Motian
Etudes 1988
Conception Vessel 1973
Bill Evans 1990
Time And Time Again 2007
All 14 albums →
The musicians on this record
Song for Anyone 2007
Chris Potter
plays saxophone here
Their own records, close in time
More Free Jazz
Tauhid 1967
Pharoah Sanders
Far Cry 1962
Eric Dolphy
Conquistador! 1967
Cecil Taylor
The Spiritual 1972
Art Ensemble of Chicago
All 116 Free Jazz artists →

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