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1959 · Album

Modern Jazz Performances From Bizet's Carmen

↑ Barney Kessel

Recorded 1959 · Contemporary Records · Produced by Lester Koenig

Barney Kessel Swings the Opera House

A guitar-led ensemble finds swing and warmth in Bizet's most famous melodies.

From the opening notes, this is a bright, airy sound — Barney Kessel's guitar sits front and center, melodic and conversational, while André Previn comps underneath on piano with the kind of lightness that lets the harmony breathe. Shelly Manne keeps things swinging on drums, never heavy, and Joe Mondragon's bass walks the line. There's a woodwind section too, voices that add color without crowding the space. It all feels like a small ensemble that knows how to listen to each other.

Kessel takes the melodies of Carmen — "Habanera," "Toreador Song," the others — and treats them as jumping-off points for jazz playing. He doesn't deconstruct Bizet; he just swings it. This is not an art song project or a classical-jazz fusion statement. It's a working musician's approach to music he found worth interpreting. The album sits squarely in the cool jazz world of late-1950s Los Angeles session culture, the kind of record that could happen because Kessel had the musicians around him and the studio time available. That professional ease shows in the playing — nobody's straining.

If you know Kessel's other work from this era, this won't surprise you, but that's fine. It's solid, tuneful, and the kind of album you return to because it simply sounds good. The guitar playing is clean and inventive without showing off. Not every album needs to be a turning point; sometimes a record just proves that a good musician can make something enjoyable from almost anything.

Who's playing
Joe Mondragondouble bass
André Previnpiano
Barney Kesselguitar
Shelly Mannedrums
Victor Feldmanvibraphone
Buddy Collettewoodwind
Justin Gordonwoodwind
Jules Jacobwoodwind
Bill Smithreeds
Pete Terrywind instruments
Listen next
By Barney Kessel
Barney Kessel, Volume 3: "To Swing or Not to Swing" 1955
Shelly Manne's own record
The Drum Sessions 1975
Shelly Manne plays drums (drum set) here
More Swing
After Midnight 1956
Nat King Cole
Recording Info
Track listing
1Swingin' the Toreador5:51
2A Pad on the Edge of Town6:46
3If You Dig Me4:03
4Free as a Bird5:00
5Viva El Toro3:15
6Flowersville5:59
7Carmen's Cool4:42
8Like, There's No Place Like...3:58
9The Gypsy's Hip3:56
Musicians
Further Reading
Read more

Where next?

More by Barney Kessel
Barney Kessel, Volume 3: "To Swing or Not to Swing" 1955
Barney Kessel, Volume 1: Easy Like 1956
Some Like It Hot 1959
Feeling Free 1969
All 32 albums →
The musicians on this record
The Drum Sessions 1975
Shelly Manne
plays drums (drum set) here
André Previn Plays Fats Waller 1958
André Previn
plays piano here
Their own records, close in time
More Swing
After Midnight 1956
Nat King Cole
Big Swing Face 1967
Buddy Rich
Wishes You a Swinging Christmas 1960
Ella Fitzgerald
Songs for Swingin’ Lovers! 1956
Frank Sinatra
All 92 Swing artists →

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