Where do you listen?
Choose your streaming service
inside the sleeve
Loading…
inside the sleeveITS
⌕
Read About

♫

Facts
Connections
Read more

Discography

Collaborations

Live on Youtube

Explore Further

Selected connections
2011 · Album

Here We Go Again: Celebrating the Genius of Ray Charles

↑ Norah Jones

Here We Go Again: Celebrating the Genius of Ray Charles

When Jazz and Country Honor a Legend

Nelson's guitar is too scarce here, giving way to Marsalis' jazz band rotating solos exhaustively.

Here We Go Again arrived in 2009 to mixed notices. The Los Angeles Times gave it three stars and appreciated the inventive arrangements across Ray Charles standards like "Hit the Road Jack" and "Unchain My Heart." But Rolling Stone spotted a real problem: the album felt like a missed opportunity, with Willie Nelson's distinctive nylon-string guitar buried under Wynton Marsalis' orchestra cycling through solos. Texas Monthly had similar reservations about how the arrangements handled the material.

Those critiques matter because they point to the album's core tension. Nelson brought his signature restraint and cool to these songs, and the orchestra—anchored by Marsalis on trumpet, Carlos Henriquez on bass, Dan Nimmer on piano, Walter Blanding on tenor saxophone, Ali Jackson on drums, and Mickey Raphael on harmonica—had genuine invention to offer. But recorded live at the Rose Theater in February 2009, the record sometimes tips toward showcase arrangements that overshadow the songs themselves.

This isn't a major entry in either artist's catalog. It's a one-off tribute that works best when it steps back and lets Nelson's playing breathe, which happens often enough to make it worth hearing if you're already curious about how these two would interpret Charles together. The instrumentation itself earned praise from critics, and on tracks where the balance tips right, you hear why.

Who's playing
Carlos Henriquezbass
Dan Nimmerpiano
Willie Nelsonguitar
Walter Blandingtenor saxophone
Wynton Marsalistrumpet
Ali Jacksondrums
Mickey Raphaelharmonica
Listen next
By Norah Jones
Feels Like Home 2004
Wynton Marsalis's own record
He And She 2009
Wynton Marsalis plays trumpet here
More Vocal Jazz
Wallflower 2015
Diana Krall
Recording Info
Track listing
1Hallelujah I Love Her So4:55
2Come Rain or Come Shine3:52
3Unchain My Heart5:35
4Cryin’ Time4:33
5Losing Hand5:16
6Hit the Road Jack7:45
7I’m Moving On5:44
8Busted5:04
9Here We Go Again5:10
10Makin’ Whoopee4:54
11I Love You So Much (It Hurts)2:53
12What’d I Say6:12
Musicians
Further Reading
Read more

Where next?

More by Norah Jones
Feels Like Home 2004
Not Too Late 2006
The Fall 2009
I Dream of Christmas 2021
All 23 albums →
The musicians on this record
He And She 2009
Wynton Marsalis
plays trumpet here
Their own records, close in time
More Vocal Jazz
Wallflower 2015
Diana Krall
Emily’s D+Evolution 2010
Esperanza Spalding
In My Room 2016
Jacob Collier
Betty Carter's Finest Hour 2003
Betty Carter
All 75 Vocal Jazz artists →

More by this artist

Albums with the same musicians

From the same era

Similar artists

inside the sleeve
Growing
Jazz, explained without pretension.
Read · Follow the connections · Press play
Right now: 7,100+ albums · 440+ artists
Start here
New to jazz? These artists are good places to start.
Loading…
Explore
Nine records worth getting lost in.
Born today
Album of the day
A landmark record, every day.
Read
  • Loading…
Article archive →
Recently added
Purpose
Inside the Sleeve is your companion on a journey through jazz — not a textbook, but something closer to a knowledgeable friend sitting next to you while you listen. Read about an artist, press play, follow a connection, discover an album you didn't know you needed.
Suggestions
Read

Articles

Essays, guides, and lists about jazz and the records that matter.

Loading…

Genre

Key Artists
Further Reading

Essential Albums

Related Genres

In This Genre

About

Inside the Sleeve

Work in progress

Inside the Sleeve grows continuously — new artists and albums are added, essays refined, as visitors explore and our editors follow up on what they find. Content, features, and design are still evolving; use the Report error button on any page to flag something that seems off.

Content

Every artist, album, and release date on Inside the Sleeve is real — verified against trusted sources including MusicBrainz and Wikipedia. We don't invent discographies or fabricate records. AI compiles that verified information into readable prose — essays on artists, albums, and the music itself. We can't manually review every essay before publishing, but every reported error is checked by a human editor.

Inside the Sleeve is not a review site. We're not here to rate or rank — we're here to guide you in. Where an album stands out, we'll say so. Where an artist changed everything, you'll know why. But we won't tear anything down. Jazz history is complex and sources sometimes disagree — if you spot something that seems off, please report it.

Streaming

Inside the Sleeve links to Spotify and Apple Music so you can listen while you read. These are not affiliate links. For Spotify, links open a search on open.spotify.com — we do not have direct links to specific recordings. For Apple Music, direct links are used where available, otherwise a search is opened.

Your choice of streaming service is stored locally in your browser only. It is never sent to our servers.

We're working on deeper Spotify integration, including direct links to specific recordings.

Privacy

Inside the Sleeve does not collect personal data and does not use cookies. We count page visits anonymously using a self-hosted analytics tool — no personal identifiers are stored, and the data never leaves our own server. The only preference stored on your device is your streaming service choice, saved locally in your browser and never transmitted.

When you submit a suggestion or error report, the text you write is stored in our database. No name or email is required or collected unless you choose to provide one.

Third-party services

Spotify and Apple Music are independent services with their own terms of use and privacy policies. Inside the Sleeve is not affiliated with or endorsed by either company.

Support

Inside the Sleeve is free and ad-free. If you enjoy it, a coffee helps cover server costs and keeps the project going.

Amazon

Some book recommendations on Inside the Sleeve link to Amazon. Buying through these links costs you nothing extra — but Amazon pays us a small commission, which goes directly towards keeping the site running. It's a simple way to support the project if you were going to buy the book anyway.

As an Amazon Associate, Inside the Sleeve earns from qualifying purchases.

Questions or feedback? Use the suggestion box on the front page.

Inside the Sleeve — A guide for those who want to go beyond the obvious About & Privacy