Where do you listen?
Choose your streaming service
inside the sleeve
Loading…
inside the sleeveITS
⌕
Read About

♫

Facts
Connections
Read more

Discography

Collaborations

Live on Youtube

Explore Further

Selected connections
1964 · Album

Featuring Wynton Kelly

↑ Wynton Kelly

Recorded 1964 · Verve · Produced by Creed Taylor
Featuring Wynton Kelly

Swing Easy, Play Smart

Kelly keeps things light and accessible here, which is exactly the point.

It's All Right! sits comfortably in the middle of Wynton Kelly's catalog — not a landmark session, but a solid outing that shows what he could do when the goal was straightforward enjoyment rather than deep exploration. Recorded in 1964, the album pairs Kelly's piano with Paul Chambers on bass and Jimmy Cobb on drums, a rhythm section that knew how to lock in tight, plus Kenny Burrell on guitar and Candido Camero on percussion adding color and swing. The ten tracks move briskly, each one clocking in at a reasonable length, which tells you this was music meant to breathe and please rather than challenge or impress.

The approach here is easy-listening jazz, and there's no shame in that label — it means the album prioritizes groove and clarity over complex harmonies or extended improvisation. Kelly's touch on the piano is clean and direct. Burrell's guitar sits nicely in the mix without dominating. Camero's conga work adds a subtle Latin flavor that keeps things from feeling too standard. This is the kind of record you can have on without it demanding your full attention, but if you do listen closely, you'll hear a bunch of experienced players who know exactly what they're doing.

It's worth knowing this isn't the album to start with if you want Kelly at his most inventive. But for a mid-career snapshot of a working pianist in his element, doing what the job required in 1964, it delivers exactly what it promises. Some sessions matter for breaking new ground. This one matters for showing that excellent musicians playing appealing material in a professional setting is reason enough to make a record.

Who's playing
Bob Cranshawdouble bass
Wynton Kellypiano
Sonny Crissalto saxophone
Ole Hansentrombone
Walter Perkinsdrums
Listen next
By Wynton Kelly
Kelly Blue 1959
More Hard Bop
Red Clay 1970
Freddie Hubbard
Recording Info
Track listing
1Sweet Lorraine3:42
2You Don't Know What Love Is4:02
3Softly as in a Morning Sunrise5:38
4Butts Delight4:06
5I Got It Bad3:53
6Sylvia7:42
7Indiana (Back Home Again in Indiana)5:53
Musicians
Further Reading
Read more

Where next?

More by Wynton Kelly
Kelly Blue 1959
A Sure Thing 1962
Full View 1967
Kelly Great 1960
All 17 albums →
More Hard Bop
Red Clay 1970
Freddie Hubbard
Cornbread 1965
Lee Morgan
Byrd in Flight 1960
Donald Byrd
Speak No Evil 1965
Wayne Shorter
All 151 Hard Bop artists →

More by this artist

Albums with the same musicians

From the same era

Similar artists

inside the sleeve
Growing
Jazz, explained without pretension.
Read · Follow the connections · Press play
Right now: 7,100+ albums · 440+ artists
Start here
New to jazz? These artists are good places to start.
Loading…
Explore
Nine records worth getting lost in.
Born today
Album of the day
A landmark record, every day.
Read
  • Loading…
Article archive →
Recently added
Purpose
Inside the Sleeve is your companion on a journey through jazz — not a textbook, but something closer to a knowledgeable friend sitting next to you while you listen. Read about an artist, press play, follow a connection, discover an album you didn't know you needed.
Suggestions
Read

Articles

Essays, guides, and lists about jazz and the records that matter.

Loading…

Genre

Key Artists
Further Reading

Essential Albums

Related Genres

In This Genre

About

Inside the Sleeve

Work in progress

Inside the Sleeve grows continuously — new artists and albums are added, essays refined, as visitors explore and our editors follow up on what they find. Content, features, and design are still evolving; use the Report error button on any page to flag something that seems off.

Content

Every artist, album, and release date on Inside the Sleeve is real — verified against trusted sources including MusicBrainz and Wikipedia. We don't invent discographies or fabricate records. AI compiles that verified information into readable prose — essays on artists, albums, and the music itself. We can't manually review every essay before publishing, but every reported error is checked by a human editor.

Inside the Sleeve is not a review site. We're not here to rate or rank — we're here to guide you in. Where an album stands out, we'll say so. Where an artist changed everything, you'll know why. But we won't tear anything down. Jazz history is complex and sources sometimes disagree — if you spot something that seems off, please report it.

Streaming

Inside the Sleeve links to Spotify and Apple Music so you can listen while you read. These are not affiliate links. For Spotify, links open a search on open.spotify.com — we do not have direct links to specific recordings. For Apple Music, direct links are used where available, otherwise a search is opened.

Your choice of streaming service is stored locally in your browser only. It is never sent to our servers.

We're working on deeper Spotify integration, including direct links to specific recordings.

Privacy

Inside the Sleeve does not collect personal data and does not use cookies. We count page visits anonymously using a self-hosted analytics tool — no personal identifiers are stored, and the data never leaves our own server. The only preference stored on your device is your streaming service choice, saved locally in your browser and never transmitted.

When you submit a suggestion or error report, the text you write is stored in our database. No name or email is required or collected unless you choose to provide one.

Third-party services

Spotify and Apple Music are independent services with their own terms of use and privacy policies. Inside the Sleeve is not affiliated with or endorsed by either company.

Support

Inside the Sleeve is free and ad-free. If you enjoy it, a coffee helps cover server costs and keeps the project going.

Amazon

Some book recommendations on Inside the Sleeve link to Amazon. Buying through these links costs you nothing extra — but Amazon pays us a small commission, which goes directly towards keeping the site running. It's a simple way to support the project if you were going to buy the book anyway.

As an Amazon Associate, Inside the Sleeve earns from qualifying purchases.

Questions or feedback? Use the suggestion box on the front page.

Inside the Sleeve — A guide for those who want to go beyond the obvious About & Privacy