McRae's voice carries the weight of a life lived, recording in Germany what would become her final statement.
In June 1989, Carmen McRae walked into the WDR Studio in Cologne, Germany, with the WDR Big Band assembled and ready. She was in her sixties by then, and this session would be one of her last. The circumstances that brought her to that room in Cologne, the specific decisions about which songs to record and how to arrange them—these details shaped what listeners would eventually hear nearly a decade later, when *Dream of Life* emerged in 1998, after her death.
The album takes its title from a song McRae had written at seventeen. That same composition had been recorded by Billie Holiday, her friend and mentor, back in 1937. There is real weight in that lineage: McRae returning to material she'd written in youth, now recording it with a full European orchestra, at a stage of her career when most singers have long since stepped back. The WDR Big Band provided lush, modern arrangements that gave her voice plenty of room to breathe. This is not a peak-years McRae album—she'd made stronger records earlier in her career—but it documents something valuable: an artist still engaged, still willing to record, still commanding respect from serious musicians.
The session stayed in the vault for years before Qwest Records issued it. For committed McRae listeners, it fills a gap in the documented catalog. For new listeners, it's probably not the place to start—try earlier recordings first—but it holds its own as a final statement from someone who'd been making music seriously for decades.