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1974 · Album

A Sleeping Bee

↑ Art Farmer

Recorded 1974 · Phontastic
A Sleeping Bee

Strandberg's Touch: A Farmer Session in Sweden

Farmer's flugelhorn floats over Strandberg's lyrical piano, neither rushing, both listening.

What makes this session distinctive is Göran Strandberg's piano. Farmer had recorded plenty by 1974, working in New York with all manner of accompanists, but here he's paired with a Swedish pianist whose approach is unhurried and melodically direct — no showboating, no chromatic runs for their own sake. Strandberg plays like he's composing every phrase as it happens, and Farmer responds by settling into his flugelhorn tone, warm and conversational rather than assertive. The rhythm section — Red Mitchell on bass, Tony Inzalaco and Island Östlund on drums, with Janne Schaffer on guitar and Louis "Sabu" Martinez adding percussion — holds space without crowding, letting the front line breathe.

This is the kind of album that reveals itself slowly. There's no urgency here, no one trying to prove anything. Farmer was deep into his career by this point, and he sounds completely at ease — the flugelhorn in particular has a burnished quality that suits the intimate scale of the group. Strandberg never oversells a moment; his comping is spare and his solos are built from simple ideas, repeated and turned over until they reveal new angles. It's economical playing, which might sound austere on paper but lands as generous in practice.

The record exists in that middle ground where it's neither Farmer's most celebrated work nor overlooked — it's a solid professional session with real chemistry, the kind of album that matters most to people who actually listen to jazz regularly rather than casually. If you know Farmer's American recordings and want to hear him in a different light, this Swedish date offers something genuine: just five musicians with nothing to prove and time to think.

Who's playing
Red Mitchelldouble bass
Göran Strandbergpiano
Janne Schafferguitar
Art Farmerflugelhorn, trumpet
Tony Inzalacodrums
Island Östlunddrums
Louis “Sabu” Martinezpercussion
Listen next
By Art Farmer
What Happens?... 1968
♫
Red Mitchell's own record
But Three's a Crowd 1979
Red Mitchell plays double bass here
More Cool Jazz
On the Corner 1972
Miles Davis
Recording Info
Track listing
1It Might as Well Be Spring
2Come Rain or Come Shine
3Green Witch
4A Sleeping Bee
5A Bitty Ditty
6Smiling Billy
Musicians
Further Reading
Read more

Where next?

More by Art Farmer
What Happens?... 1968
Early Art 1961
When Farmer Met Gryce 1955
Farmer's Market 1958
All 32 albums →
The musicians on this record
♫
But Three's a Crowd 1979
Red Mitchell
plays double bass here
Their own records, close in time
More Cool Jazz
On the Corner 1972
Miles Davis
There Comes a Time 1976
Gil Evans
Live at the Berlin Jazz Days 1980 1982
Lee Konitz
Ne Plus Ultra 1970
Warne Marsh
All 72 Cool Jazz artists →

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