By his second Kudu outing, Crawford had stopped trying to prove anything and started playing what felt good.
Hank Crawford was already a seasoned veteran by the time he recorded We Got a Good Thing Going. This is his thirteenth album as a leader, but it marks a genuine shift in how he presents himself. On his first Kudu session, Crawford was still partly the hard-bop saxophonist, pulling from a deep well of Blue Note habits. Here, he leans harder into soul-jazz territory — funkier, more grounded, less concerned with showing off technique for its own sake.
The album sits comfortably between Crawford's earlier work and where soul-jazz was heading in the early seventies. There's a looseness to the playing that suggests the band knows exactly what it wants to do and isn't second-guessing itself. The rhythm section locks in tight, and Crawford's saxophone sits in the pocket rather than soaring above it. This is Crawford doing what he does best — swinging hard without needing to fill every space, letting the groove breathe.
It's neither his peak nor a departure so radical it demands reassessment of his entire career. But it's a clear statement that he'd found a label and a sound where he belonged. For listeners coming to Crawford for the first time, start with this or his earlier Blue Note work depending on whether you want soul-jazz or straight-ahead hard bop. For those already familiar with his sound, this is a natural entry point into his Kudu years.