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1975 · Album

The London Concert

↑ Evan Parker

Recorded February 14, 1975, Wigmore Hall, London · Incus Records · Produced by Not credited
The London Concert

Two Voices Inventing Language in Real Time

Bailey's desiccated shards and Parker's serpentine lines virtually defined the vocabulary of countless musicians.

When Derek Bailey and Evan Parker met at Wigmore Hall on a February night in 1975, they were already known quantities in London's improvisation scene, but this concert arrived with minimal fanfare. Incus Records released it on vinyl that year to a small audience—the kind of record you had to know about, passed hand to hand among musicians and collectors who understood what free improvisation could do. It was never a commercial item, but it built a reputation steadily, becoming a reference point for anyone serious about understanding how two musicians could build an entire language together from nothing but instinct and listening.

What makes this album distinct is how Bailey and Parker occupy completely different sonic territories yet never interfere with each other. Bailey's guitar work is spare and crystalline, each note placed like a small gesture; Parker's saxophone moves through multiple registers and techniques—multiphonics, split tones, serpentine runs—that sound like an instrument being reinvented in real time. They never settle into a groove or a harmonic center. Instead they build tension by responding to each other's silences as much as their sounds, creating moments of real surprise even on repeated listening. There are solo passages where each player steps forward alone, but the interplay between them is where the music finds its purpose.

The authors of The Penguin Guide to Jazz noted that despite its standing as a memorial to lost friendship—Parker and Bailey's relationship deteriorated in later years—the music remains fresh and inventive. Three decades after the original release, what's striking is not how dated it sounds but how completely it anticipated the direction free improvisation would take. Their vocabulary became the vocabulary. If you're approaching Bailey and Parker for the first time, this is an essential entry point: two masters at a moment when they had everything to discover together.

Who's playing
Derek Baileyguitar
Evan Parkersaxophone
Listen next
♫
By Evan Parker
The Topography of the Lungs 1970
♫
Derek Bailey's own record
Derek Bailey & Han Bennink 1972
Derek Bailey plays guitar here
More Free Jazz
Tauhid 1967
Pharoah Sanders
Recording Info
Track listing
1The London Concert - Part 114:50
2The London Concert - Part 23:58
3The London Concert - Part 311:52
4The London Concert - Part 46:57
Musicians
Further Reading
Read more

Where next?

More by Evan Parker
♫
The Topography of the Lungs 1970
Saxophone Solos 1976
Collective Calls (Urban) (Two Microphones) 1972
♫
At the Unity Theatre 1975
All 38 albums →
The musicians on this record
♫
Derek Bailey & Han Bennink 1972
Derek Bailey
plays guitar here
Their own records, close in time
More Free Jazz
Tauhid 1967
Pharoah Sanders
Conquistador! 1967
Cecil Taylor
The Spiritual 1972
Art Ensemble of Chicago
Eternal Rhythm 1969
Don Cherry
All 112 Free Jazz artists →

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