Simone's piano cuts through the room with clarity and purpose, her trio locked in behind her.
The first thing you hear is Nina's hands on the keys — direct, unhurried, finding the pocket before the rhythm section even settles in. Chris White on bass and Bobby Hamilton on drums are tight but never fussy; they give her room to breathe and reshape phrases mid-stream. Al Schackman's guitar sits warm underneath, filling space without clutter. This is a working band that knows each other, and it shows in the breathing room between notes.
Recorded live at Newport in June 1960, this album came out just a year after her previous live set. Simone arranged everything here herself, which matters — you can hear her fingerprints all over the pacing and dynamics. She's not trying to prove anything; she's just playing the material the way it needs to go. The band follows her instincts because they trust them. Some numbers are spacious and conversational, others tighter and more driven. There's no studio polish, no second takes, just four musicians making decisions in real time.
This is the second live album in what was already a productive stretch for her. It captures her in a particular moment — confident enough to trust her arrangements, surrounded by musicians who could keep up with her changes. If you want to hear Simone playing without pretense, in front of an audience, this is straightforward and worth hearing.