Christensen's drumming anchors the ensemble while giving everyone room to breathe and explore.
Jon Christensen brought his Open ensemble to the Oslo Jazzfestival for a live performance that captures the group in its element — responsive, inventive, and clearly enjoying the conversation happening on stage. The recording documents a working band with real chemistry, the kind that only develops through repeated playing together. Christensen's drumming is central here; he's not filling space but actively shaping the music, listening hard to what's happening around him and responding with precision and restraint.
The album's title, taken from a Norwegian hymn, hints at something spiritual in the approach without ever sounding sanctimonious. What comes through is genuine ensemble playing — no one soloist dominates, and the interactions feel earned rather than rehearsed. Ingebrigt Håker Flaten on bass and the other players work as a collective, creating textures and conversations that shift throughout each piece. This is Christensen's project, but it never feels like anyone's backing band.
For listeners familiar with Christensen's work as a sideman and bandleader over decades, this live document shows him still engaged and listening intently well into his career. It's a solid addition to his discography rather than a turning point, and it works best for people already curious about his recent projects. The recording quality is clean without being sterile, capturing the immediacy of a festival performance where the musicians had something to prove.