Where do you listen?
Choose your streaming service
inside the sleeve
Loading…
inside the sleeveITS
⌕
Read About

♫

Facts
Connections
Read more

Discography

Collaborations

Live on Youtube

Explore Further

Selected connections
1968 · Album

Live at Century Plaza

↑ Carmen McRae

Recorded Late December 1968, Century Plaza Hotel, Hong Kong Bar, Los Angeles · Original label information not verified · Produced by Producer information not verified

Carmen McRae in the Hong Kong Bar

McRae's voice cuts through the late-night jazz with the confidence of someone who knows exactly what she's doing.

Late December 1968 found Carmen McRae in Los Angeles at the Century Plaza Hotel's Hong Kong Bar, a small room that suited her intimate style perfectly. The setting was right for what she did best — the kind of close-quarters performance where you could hear every choice she made. Working with pianist Norman Simmons, drummer Frank Severino, and bassist Chuck Domanico, McRae had a tight trio that knew how to follow her lead without getting in the way.

What makes this recording worth your time is that it catches her doing exactly what she'd spent years perfecting. Her voice had lost none of its flexibility or sharpness. She could phrase a lyric three different ways in as many bars, bending the melody to fit whatever mood she wanted. The trio stayed out of her way, which is harder than it sounds — Simmons had to comp without cluttering things up, and Severino and Domanico had to keep the pulse steady but unobtrusive. The result sounds like a conversation between musicians who trusted each other, not a performance for an audience.

If you already know McRae's studio work, this is a solid addition to her catalog but not essential. She made better albums, and she made albums that showed more range. But if you want to hear her in her element on a specific night, with a good trio and no tricks, this delivers. It's the kind of live recording that makes sense — real people playing real jazz in a room. Nothing more, nothing less.

Who's playing
Listen next
By Carmen McRae
Live at Bubba's 1988
More Bebop
Mozart / Corea 1962
Chick Corea
Recording Info
Track listing
1Elusive Butterfly2:54
2Midnight Sun4:55
3For Once in My Life2:44
4Yesterday3:08
5Spread to All2:35
6The Right to Love3:55
7If You Never Fall in Love With Me4:12
8I'm Always Drunk in San Francisco3:06
9Introduction0:24
10Why Shouldn't I5:23
11I Thought About You3:49
12The Sound of Silence2:58
13Away, Away, Away2:45
14Did I Ever Love3:36
15On a Clear Day (You Can See Forever)1:36
16Sweet Pumpkin3:06
17Introduction0:31
18No More Blues2:45
19Miss Otis Regrets5:27
20Satin Doll4:28
21Never Let Me Go2:49
22My Ship4:06
23Never Will I Marry2:34
24September in the Rain3:10
Musicians
Further Reading
Read more

Where next?

More by Carmen McRae
Live at Bubba's 1988
By Special Request 1956
♫
Take Five at Basin Street East 1961
Carmen Sings Monk 1990
All 44 albums →
More Bebop
Mozart / Corea 1962
Chick Corea
20/20 1963
George Benson
Doin' Allright 1961
Dexter Gordon
Barry Harris at The Jazz Workshop 1960
Barry Harris
All 90 Bebop artists →

More by this artist

Albums with the same musicians

From the same era

Similar artists

inside the sleeve
Growing
Jazz, explained without pretension.
Read · Follow the connections · Press play
Right now: 7,100+ albums · 440+ artists
Start here
New to jazz? These artists are good places to start.
Loading…
Explore
Nine records worth getting lost in.
Born today
Album of the day
A landmark record, every day.
Read
  • Loading…
Article archive →
Recently added
Purpose
Inside the Sleeve is your companion on a journey through jazz — not a textbook, but something closer to a knowledgeable friend sitting next to you while you listen. Read about an artist, press play, follow a connection, discover an album you didn't know you needed.
Suggestions
Read

Articles

Essays, guides, and lists about jazz and the records that matter.

Loading…

Genre

Key Artists
Further Reading

Essential Albums

Related Genres

In This Genre

About

Inside the Sleeve

Work in progress

Inside the Sleeve grows continuously — new artists and albums are added, essays refined, as visitors explore and our editors follow up on what they find. Content, features, and design are still evolving; use the Report error button on any page to flag something that seems off.

Content

Every artist, album, and release date on Inside the Sleeve is real — verified against trusted sources including MusicBrainz and Wikipedia. We don't invent discographies or fabricate records. AI compiles that verified information into readable prose — essays on artists, albums, and the music itself. We can't manually review every essay before publishing, but every reported error is checked by a human editor.

Inside the Sleeve is not a review site. We're not here to rate or rank — we're here to guide you in. Where an album stands out, we'll say so. Where an artist changed everything, you'll know why. But we won't tear anything down. Jazz history is complex and sources sometimes disagree — if you spot something that seems off, please report it.

Streaming

Inside the Sleeve links to Spotify and Apple Music so you can listen while you read. These are not affiliate links. For Spotify, links open a search on open.spotify.com — we do not have direct links to specific recordings. For Apple Music, direct links are used where available, otherwise a search is opened.

Your choice of streaming service is stored locally in your browser only. It is never sent to our servers.

We're working on deeper Spotify integration, including direct links to specific recordings.

Privacy

Inside the Sleeve does not collect personal data and does not use cookies. We count page visits anonymously using a self-hosted analytics tool — no personal identifiers are stored, and the data never leaves our own server. The only preference stored on your device is your streaming service choice, saved locally in your browser and never transmitted.

When you submit a suggestion or error report, the text you write is stored in our database. No name or email is required or collected unless you choose to provide one.

Third-party services

Spotify and Apple Music are independent services with their own terms of use and privacy policies. Inside the Sleeve is not affiliated with or endorsed by either company.

Support

Inside the Sleeve is free and ad-free. If you enjoy it, a coffee helps cover server costs and keeps the project going.

Amazon

Some book recommendations on Inside the Sleeve link to Amazon. Buying through these links costs you nothing extra — but Amazon pays us a small commission, which goes directly towards keeping the site running. It's a simple way to support the project if you were going to buy the book anyway.

As an Amazon Associate, Inside the Sleeve earns from qualifying purchases.

Questions or feedback? Use the suggestion box on the front page.

Inside the Sleeve — A guide for those who want to go beyond the obvious About & Privacy