Where do you listen?
Choose your streaming service
inside the sleeve
Loading…
inside the sleeveITS
⌕
Read About

♫

Facts
Connections
Read more

Discography

Collaborations

Live on Youtube

Explore Further

Selected connections
1964 · Album

Late Hour Special

↑ Gene Ammons

Recorded 1961-1962 · Prestige · Produced by Unknown
Late Hour Special

Ammons Unhurried, Swinging Late Into the Night

Gene Ammons is the main star throughout, soaking every tune in soul and swing.

Late Hour Special gathers sessions Gene Ammons recorded in 1961 and 1962 and released on Prestige in 1964. By then Ammons was well established as one of the big, warm-toned tenor saxophonists of the hard bop era, and this record shows him in comfortable form rather than reaching for anything new. It is a collection, not a single concept, so the mood shifts a little from track to track, but the through-line is his playing.

What you hear is Ammons swinging with a full, round sound and a relaxed sense of time. He does not rush. Allmusic reviewer Scott Yanow said he infuses each tune with soul and swing, and that holds up: the solos feel unforced and the phrasing is patient. The lineup varies across the sessions, with George Duvivier and Wendell Marshall on bass and a rotation of pianists, but Ammons is the reason to press play.

Where does it sit in his catalogue? This is not the place to start, and it is not one of his defining statements. It is a solid, enjoyable record for listeners who already like his work and want more of it. Yanow's one complaint is the running time, about 35 and a half minutes, which is short for an LP. Still, if you want an evening of confident, good-humored tenor playing, it delivers.

Who's playing
George Duvivierdouble bass
Wendell Marshalldouble bass
Patti Bownpiano
Richard Wyandspiano
Gene Ammonstenor saxophone
Bob Ashtonbaritone saxophone
George Barrowtenor saxophone
Red Hollowaytenor saxophone
Oliver Nelsonalto saxophone
Hobart Dotsontrumpet
Walter Perkinsdrums
Bill Englishdrums
Ray Barrettocongas
Listen next
By Gene Ammons
Boss Tenor 1960
Oliver Nelson's own record
The Blues and the Abstract Truth 1961
Oliver Nelson plays alto saxophone here
More Bebop
Mozart / Corea 1962
Chick Corea
Recording Info
Track listing
1The Party's Over5:42
2I Want to Be Loved3:57
3Things Ain't What They Used to Br4:28
4Lascivious4:27
5Makin' Whoopee5:00
6Soft Winds5:48
7Lullaby Of The Leaves5:34
Musicians
Further Reading
Read more

Where next?

More by Gene Ammons
Boss Tenor 1960
Bad! Bossa Nova 1962
Jammin' With Gene 1956
Boss Tenors: Straight Ahead from Chicago August 1961 1962
All 39 albums →
The musicians on this record
The Blues and the Abstract Truth 1961
Oliver Nelson
plays alto saxophone here
♫
Cookin' Together 1972
Red Holloway
plays tenor saxophone here
Their own records, close in time
More Bebop
Mozart / Corea 1962
Chick Corea
20/20 1963
George Benson
Doin' Allright 1961
Dexter Gordon
Barry Harris at The Jazz Workshop 1960
Barry Harris
All 89 Bebop artists →

More by this artist

Albums with the same musicians

From the same era

Similar artists

inside the sleeve
Growing
Jazz, explained without pretension.
Read · Follow the connections · Press play
Right now: 7,100+ albums · 440+ artists
Start here
New to jazz? These artists are good places to start.
Loading…
Explore
Nine records worth getting lost in.
Born today
Album of the day
A landmark record, every day.
Read
  • Loading…
Article archive →
Recently added
Purpose
Inside the Sleeve is your companion on a journey through jazz — not a textbook, but something closer to a knowledgeable friend sitting next to you while you listen. Read about an artist, press play, follow a connection, discover an album you didn't know you needed.
Suggestions
Read

Articles

Essays, guides, and lists about jazz and the records that matter.

Loading…

Genre

Key Artists
Further Reading

Essential Albums

Related Genres

In This Genre

About

Inside the Sleeve

Work in progress

Inside the Sleeve grows continuously — new artists and albums are added, essays refined, as visitors explore and our editors follow up on what they find. Content, features, and design are still evolving; use the Report error button on any page to flag something that seems off.

Content

Every artist, album, and release date on Inside the Sleeve is real — verified against trusted sources including MusicBrainz and Wikipedia. We don't invent discographies or fabricate records. AI compiles that verified information into readable prose — essays on artists, albums, and the music itself. We can't manually review every essay before publishing, but every reported error is checked by a human editor.

Inside the Sleeve is not a review site. We're not here to rate or rank — we're here to guide you in. Where an album stands out, we'll say so. Where an artist changed everything, you'll know why. But we won't tear anything down. Jazz history is complex and sources sometimes disagree — if you spot something that seems off, please report it.

Streaming

Inside the Sleeve links to Spotify and Apple Music so you can listen while you read. These are not affiliate links. For Spotify, links open a search on open.spotify.com — we do not have direct links to specific recordings. For Apple Music, direct links are used where available, otherwise a search is opened.

Your choice of streaming service is stored locally in your browser only. It is never sent to our servers.

We're working on deeper Spotify integration, including direct links to specific recordings.

Privacy

Inside the Sleeve does not collect personal data and does not use cookies. We count page visits anonymously using a self-hosted analytics tool — no personal identifiers are stored, and the data never leaves our own server. The only preference stored on your device is your streaming service choice, saved locally in your browser and never transmitted.

When you submit a suggestion or error report, the text you write is stored in our database. No name or email is required or collected unless you choose to provide one.

Third-party services

Spotify and Apple Music are independent services with their own terms of use and privacy policies. Inside the Sleeve is not affiliated with or endorsed by either company.

Support

Inside the Sleeve is free and ad-free. If you enjoy it, a coffee helps cover server costs and keeps the project going.

Amazon

Some book recommendations on Inside the Sleeve link to Amazon. Buying through these links costs you nothing extra — but Amazon pays us a small commission, which goes directly towards keeping the site running. It's a simple way to support the project if you were going to buy the book anyway.

As an Amazon Associate, Inside the Sleeve earns from qualifying purchases.

Questions or feedback? Use the suggestion box on the front page.

Inside the Sleeve — A guide for those who want to go beyond the obvious About & Privacy