Armstrong and Jones strip everything down to piano, voice, and the space between them.
Foreverly arrived in late 2013 as a genuine surprise — a collaboration that seemed unlikely on paper but felt inevitable once you heard it. The album didn't generate massive critical attention on release, but it found its audience among listeners who valued intimacy over spectacle. What's striking is how deliberately small it is: just Armstrong and Jones, mostly alone together with a piano, covering standards and a few originals. There's no band, no overdubs, no production sheen. It's the sound of two singers who decided to sit down and sing, nothing more.
Armstrong brings his rough, lived-in voice to material that doesn't demand perfection — it demands presence. Jones responds with her characteristic restraint, never oversinging, never reaching for the big moment. Their arrangement of Cole Porter's "Night and Day" shows how much can happen when you strip away everything but melody and timing. The album moves between jazz standards, folk songs, and originals, but the approach stays constant: conversational, almost confessional. You hear them listening to each other.
This isn't a major statement or a career turning point for either artist. It's a side project, a duet album, the kind of thing that appeals to people who already care about both of them. For that audience, though, it's essential — proof that Armstrong could leave punk behind and simply sing, and that Jones's gift for simplicity works just as well in standards as it does in her own songs.