Where do you listen?
Choose your streaming service
inside the sleeve
Loading…
inside the sleeveITS
⌕
Read About

♫

Facts
Connections
Read more

Discography

Collaborations

Live on Youtube

Explore Further

Selected connections
1995 · Album

Makin’ a Move

↑ Henry Threadgill

Recorded 1995 · Columbia
Makin’ a Move

Threadgill's Circus Expands Into New Arrangements

Threadgill splits the album between his Very Very Circus group and a scaled-down ensemble built around guitars and cellos.

What makes Makin' a Move distinctive is how Diedre Murray, Akua Dixon, and Michelle Kinney reshape Threadgill's compositional voice. The three cellists anchor the album's second half, appearing on pieces scored mainly for strings and guitars rather than the full ensemble. This is not window dressing — the cellos are the main event, handled with the same attention Threadgill gives his horns elsewhere. They sit alongside Martin Aubert, Ed Cherry, and James Emery on classical and steel-string guitars, creating a tonal world that feels deliberate and sparse.

The first four tracks feature the Very Very Circus, Threadgill's working ensemble with Pheeroan akLaff on drums, Marcus Rojas and Edwin Rodriguez on tubas, Mark Taylor on French horn, and Myra Melford on piano. Here the sound is fuller, more rooted in the improvisational logic Threadgill has explored for decades. But the cello-and-guitar pieces that follow show him thinking differently about arrangement and color. Glenn Astarita's AllMusic review noted the album as "yet another fascinating glimpse of Threadgill's exclusive artistry," and the distinction between the album's two halves justifies that assessment — he is not repeating himself, he is asking different questions of each group.

This is mid-career Threadgill, working with confidence and enough resources to split his vision across distinct instrumental palettes. The album sits comfortably in his body of work without demanding you already know everything else. It rewards close listening because the cello writing is intricate and the guitar voices are varied in ways that unfold slowly.

Who's playing
Myra Melfordpiano
Martin Aubertclassical guitar
Ed Cherrysteel-string acoustic guitar
James Emerysteel-string acoustic guitar
Brandon Rossclassical guitar
Henry Threadgillalto saxophone
Pheeroan akLaffdrums
Edwin Rodrigueztuba
Marcus Rojastuba
Mark TaylorFrench horn
Henry Threadgill Very Very Circusperformer
Akua Dixoncello
Michelle Kinneycello
Diedre Murraycello
Listen next
By Henry Threadgill
Easily Slip Into Another World 1988
Myra Melford's own record
Even the Sounds Shine 1995
Myra Melford plays piano here
More Avant-Garde Jazz
Nu Bop 2002
Matthew Shipp
Recording Info
Track listing
1Noisy Flowers6:43
2Like It Feels11:18
3Official Silence8:56
4Refined Poverty9:07
5Make Hot and Give7:56
6The Mockingbird Sin12:13
7Dirty in the Right Places8:11
Musicians
Further Reading
Read more

Where next?

More by Henry Threadgill
Easily Slip Into Another World 1988
♫
Boom Bop 2000
♫
Too Much Sugar for a Dime 1993
Carry the Day 1995
All 14 albums →
The musicians on this record
Even the Sounds Shine 1995
Myra Melford
plays piano here
Their own records, close in time
More Avant-Garde Jazz
Nu Bop 2002
Matthew Shipp
In Order to Survive 1993
William Parker
Four Compositions 1987
Roscoe Mitchell
The Chick Corea Acoustic Band 1989
Chick Corea
All 139 Avant-Garde Jazz artists →

More by this artist

Albums with the same musicians

From the same era

Similar artists

inside the sleeve
Growing
Jazz, explained without pretension.
Read · Follow the connections · Press play
Right now: 7,100+ albums · 440+ artists
Start here
New to jazz? These artists are good places to start.
Loading…
Explore
Nine records worth getting lost in.
Born today
Album of the day
A landmark record, every day.
Read
  • Loading…
Article archive →
Recently added
Purpose
Inside the Sleeve is your companion on a journey through jazz — not a textbook, but something closer to a knowledgeable friend sitting next to you while you listen. Read about an artist, press play, follow a connection, discover an album you didn't know you needed.
Suggestions
Read

Articles

Essays, guides, and lists about jazz and the records that matter.

Loading…

Genre

Key Artists
Further Reading

Essential Albums

Related Genres

In This Genre

About

Inside the Sleeve

Work in progress

Inside the Sleeve grows continuously — new artists and albums are added, essays refined, as visitors explore and our editors follow up on what they find. Content, features, and design are still evolving; use the Report error button on any page to flag something that seems off.

Content

Every artist, album, and release date on Inside the Sleeve is real — verified against trusted sources including MusicBrainz and Wikipedia. We don't invent discographies or fabricate records. AI compiles that verified information into readable prose — essays on artists, albums, and the music itself. We can't manually review every essay before publishing, but every reported error is checked by a human editor.

Inside the Sleeve is not a review site. We're not here to rate or rank — we're here to guide you in. Where an album stands out, we'll say so. Where an artist changed everything, you'll know why. But we won't tear anything down. Jazz history is complex and sources sometimes disagree — if you spot something that seems off, please report it.

Streaming

Inside the Sleeve links to Spotify and Apple Music so you can listen while you read. These are not affiliate links. For Spotify, links open a search on open.spotify.com — we do not have direct links to specific recordings. For Apple Music, direct links are used where available, otherwise a search is opened.

Your choice of streaming service is stored locally in your browser only. It is never sent to our servers.

We're working on deeper Spotify integration, including direct links to specific recordings.

Privacy

Inside the Sleeve does not collect personal data and does not use cookies. We count page visits anonymously using a self-hosted analytics tool — no personal identifiers are stored, and the data never leaves our own server. The only preference stored on your device is your streaming service choice, saved locally in your browser and never transmitted.

When you submit a suggestion or error report, the text you write is stored in our database. No name or email is required or collected unless you choose to provide one.

Third-party services

Spotify and Apple Music are independent services with their own terms of use and privacy policies. Inside the Sleeve is not affiliated with or endorsed by either company.

Support

Inside the Sleeve is free and ad-free. If you enjoy it, a coffee helps cover server costs and keeps the project going.

Amazon

Some book recommendations on Inside the Sleeve link to Amazon. Buying through these links costs you nothing extra — but Amazon pays us a small commission, which goes directly towards keeping the site running. It's a simple way to support the project if you were going to buy the book anyway.

As an Amazon Associate, Inside the Sleeve earns from qualifying purchases.

Questions or feedback? Use the suggestion box on the front page.

Inside the Sleeve — A guide for those who want to go beyond the obvious About & Privacy